How to shoot black and white street photography. Taking Better Black and White Photos - Basic Tips and Examples Cameras for Black and White Photography

The actual process of taking black and white photographs with a digital camera is no different from both taking color pictures and shooting on film. The laws of the world have not been canceled. You just need to learn to see the world in black and white. This understanding comes only with experience, when you shoot a lot on black and white film. These days, with digital cameras, that experience is much more difficult to achieve. At one time, about thirty-five years ago, I learned about a special panvision filter. This filter is purple in color. If you look through it, the filter changes the color sensitivity of the eye so that it is close to the tone rendering of black and white film without a filter. That is, when you look through it, you just see a black and white photograph. You had to look through this filter, not shoot. But I never managed to hold it in my hands.

Speaking of image recording, in the camera settings you should immediately disable the “Shoot in black and white” option. And shoot only in color, in RAW format, or in extreme cases in JPEG. You will understand why this is so from this short series of articles dedicated to digital black and white photography.

A few words about filters

The use of most filters in modern digital photography differs significantly from their use in classical black and white photography. And although some filters are not used at all in digital photography, understanding how they work when shooting on black and white film helps you imagine what the photo will look like after it is converted to black and white using software methods.

For example, an orange filter darkens blue and violet colors. This filter perfectly highlights clouds against the sky. Well suited for shooting nudes in daylight. This is perhaps the most common filter used by photographers who shoot on black and white film.

The top image was taken without using a filter, the bottom one was taken using dark orange. While I was applying the orange filter, the clouds moved a little to the left, this can be seen in the second frame.

But color filters designed for black-and-white film photography are not suitable for shooting with modern digital cameras. Even if you shoot in RAW format, the image comes out heavily tinted by the color of the filter itself. This turns out to be a serious limitation when further converting the image to black and white. In addition, it will be almost impossible to return to the color version of the photograph. If you shoot only in JPEG format (in the “black and white shooting” mode), then there is no chance at all of getting a color photo, since the camera will only save a black and white image. There are many more creative techniques for converting a color digital image into black and white, not using a camera, but using various RAW converters or Photoshop.

Another reason why color filters are not suitable for black and white digital photography is due to the design of the camera sensor. As a rule, a Bayer grid is used in the matrix design. In it, two pixels record the brightness values ​​of green, and one each - red and blue. That is, when shooting through a color filter, it will block certain colors. Using a red or blue filter will mean that only three quarters of the pixels of the matrix register light, and with a green filter there will be half as many working pixels. This is enough to significantly reduce image quality and lead to various artifacts in smooth tonal areas, such as the sky.

The exception is the ultraviolet filter, which is also used in color photography. In addition to blurriness, it also eliminates the bluish tint, especially in high altitudes.

If we talk about other filters, almost all of them can be used. However, with some reservations.

Neutral density filters

As the name suggests, these filters do not change the spectral composition of light. They are used in both black and white and color photography, and serve only to increase exposure. Imagine that you need to shoot a fountain without the water looking “frozen” due to the short shutter speed, but it is important to maintain the same depth of field. The light is quite bright and the shutter speed at aperture 22 is 1/30 of a second. By installing an ND filter with a factor of 8 (3 steps), we get a pair of 22 - 1/4 seconds. As a result, the water will be perfectly lubricated. The use of high-frequency filters (60–10,000) will allow, for example, to photograph a crowded city square in daylight as if there was no one there. With a shutter speed of 30–120 minutes, all moving objects on the film simply will not appear, since they move too quickly relative to the exposure duration. It is not yet possible to shoot digitally with such a shutter speed.

The photo was taken using a neutral density filter, which made it possible to increase the shutter speed. Thanks to the relatively long shutter speed (4 seconds), the water turned out blurry

Polarizing filters

For color photography, it is often important to get a more saturated sky or remove bright highlights on the water. A polarizing filter is used for this. However, there is always a risk that such a photograph, after converting to black and white, will become boring and lifeless. In addition, after converting the image to black and white, pronounced stripes may appear in the sky. So if you plan to end up with a black and white photo, shoot with or without a polarizing filter. Or simply take duplicates at different angles of rotation of the polarizing filter.

Since both polarizing and ND filters increase exposure, be prepared to use a tripod in most cases.

The image was taken without applying a filter.

The image was taken using a polarizing filter. Since the shooting was carried out with a wide-angle lens, approximately 45° against the light, the darkening of the sky was different on different sides of the frame. On the right side of the frame the sun is closer, so there was practically no darkening of the sky. With this direction of light, when shooting with a wide-angle lens, the sky will have different brightness. However, the foliage in the left photo looks more impressive.

Both images were converted to black and white using the Black & White command in Photoshop. Unfortunately, in the first photo of this couple, the sky has become somewhat striped in the upper left corner. In order to avoid “banding” in such areas, the image should be converted to black and white in 16 bits per channel mode.

If the shooting was carried out from a tripod, during processing you can make combinations of shooting takes with different angles of rotation of the polarizing filter and, thereby, achieve reflections and highlights in certain parts of the image so that it meets the artistic intent.

Brief Conclusion

• If you plan to convert a color digital image to black and white, you cannot use color filters for classic black and white photography.
• You should also not use conversion and color-enhancing filters.
• Polarizing filters should be used based on specific tasks.
• Various neutral density filters and any attachments can be used without restrictions.
• When using any filters, the following rule must be observed: the effect of the filter should not dominate the content of the photo.

This is the main rule when using any filters.

Converting color originals to black and white

Before converting color images to black and white, you should completely retouch the image, if necessary. Despite the fact that almost all RAW converters can quite flexibly convert a color image into black and white, there is a significant category of images for which the settings and tools of a RAW converter are not enough. When to perform tone correction also depends on the image itself. For some I do tone correction before converting to black and white, for others after. If before, then at the final stage sometimes another small tone correction follows. In the RAW converter you can immediately observe the process of conversion to black and white image and tone correction.

In the following articles we will talk about converting photos to black and white in a RAW converter and various methods in Photoshop.

There is no greater classic than black and white street photography. Old street photographs bring to life the nostalgic images of Andre Kertesz, Henri Cartier-Bresson, Robert Doisneau and many others.

Why black and white street photography?

Of course, in the past, when photography first began to develop, it was exclusively monochrome. Therefore, when we think of street photography (in the classical sense), black and white shots come to mind. When color photography appeared, it was used for most amateur photographs and was not perceived as “serious art”, unlike black and white.

These are different times. Modern digital cameras produce impressive image quality, and post-processing can work wonders. However, black and white photography still has a special charm. It attracts with its simplicity, minimalism and lack of distractions and clutter. B&W photography is out of fashion - aesthetics is timeless.

The monochrome of the frames gives us the opportunity to focus on the essence of the scene - color can simply distract the viewer. We bring you some tips and suggestions from renowned street photographer Eric Kim for shooting black and white street photography.

See the world in monochrome

Downtown LA, 2011. By Eric Kim

It's worth looking for, for example, the following:

• contrast between lights and darkness
• shapes and lines
• expressions of emotions (on the face, as well as through body language)
• eye contact
• minimalism
• nostalgic elements.

Obviously, we don't see the world in black and white, it's worth training your eyes for that.

Wedding, 2016 #cindyproject. By Eric Kim

Assignment: shoot only monochrome footage for a year.

If you're shooting with a digital camera, shoot JPEG JPEG+RAW (with the monochrome mode preset). If you shoot on film, just use black and white.

By putting yourself in this creative frame, you will begin to see your surroundings in black and white and begin to pre-visualize future monochrome shots. Try not to switch between black and white and color photographs during this year of study. Otherwise, you will never hone your “monochrome” vision.

Another tip: If you're shooting JPEG+RAW, be sure to preset the shooting mode to black and white when importing photos to your computer.

Simplify

Tokyo, 2011. By Eric Kim

Always try to simplify a black and white shot. Aim to make the scene as uncomplicated as possible, with a simple composition. Try to use single objects (at least to start with).

When you're getting ready to shoot outdoors, start with the background. A good starting point might be an all-white, gray or black background. Then wait for suitable objects to appear in the frame.

Learn to ignore the colors people are wearing. Instead, ask yourself, "What would this color look like if it were turned monochrome?" This will help you see the world according to different brightnesses and shades of gray rather than colors.

Task: get rid of unnecessary things.

For a month, try removing everything unnecessary from your photos.

When analyzing the images you want to capture, think about what you can extract from the image, not what you can add. And as you create your composition, ask yourself: “Does this element really need to be in my frame?” Try to distill the images down and leave only their essence in the frame.

That is, we can say that less, in this case, is more. Or remember the motto: “less, but better.”

Take risks

Downtown LA, 2015. By Eric Kim

No one can accurately imagine a monochrome image in advance. If a photo is taken on film, the photographer has less control over how the final image will look. Shooting digitally and RAW, on the other hand, gives you tons of control over the final look of your monochrome image. If shooting a black and white JPEG, the photographer will have the same limitation as shooting with film.

Challenge: Take risks.

Shoot against the light. Try experimenting with exposure compensation in black and white. Try +1, +2, -1, -2 exposure compensation and study the results.

Explore the works of the masters of black and white photography

Assignment: Study the creativity of the masters.

Melrose, 2016 #ricohgrii. By Eric Kim

Analyze the pictures and see how the photographers build the composition. In addition, try to figure out what “works” in the pictures and what doesn’t. How did the photographer work with light? What emotions or gestures are present in the frame?

Portugal, 2015. By Eric Kim

Focus on emotions

Monochrome images appear quieter, more still, sometimes darker and nostalgic. They contain reflections on the past.

Photographing something sad in black and white is a cliché to avoid. However, you can go a more interesting route - try photographing happiness in monochrome. Also try to photograph despair. Shoot a wide range of emotions, and not just the direct association with monochrome.

Paris, 2015. By Eric Kim

Challenge: Evoke certain moods through your photographs.

Think about how black and white makes you feel and try to literally capture them. And as an additional task, also try to evoke the opposite emotion in a black and white photograph. This will help you get out of your comfort zone.

Garden Grove, 2016. By Eric Kim

Lighten and darken

NYC, 2016. By Eric Kim

The left side of the frame is darkened in the photo, thus paying more attention to the model's eyes, face and hair)

One thing that photographers have been doing for decades is using the Dodge and Burn technique in their photographs (lightening and darkening certain parts of the frame).

Previously, this was done in a dark room, but now we can do all the manipulations using a photo editor. Many new photographers believe that the method of darkening and brightening parts of the frame is a kind of “cheating”. Not at all. It all depends on your artistic vision.

Darken parts of the frame that you find distracting and lighten the more interesting areas. The viewer's eyes will be drawn to the area of ​​the frame with the highest contrast. Keep this in mind.

Assignment: Do post-processing for no more than a minute.

Often, the more time you spend post-processing monochrome images, the worse they will look.

For example, you can shoot RAW+JPEG, but also apply standard black and white presets to the images (when importing). Then you can make minor adjustments to the photo: adjust exposure, contrast, shadows, highlights.

Downtown LA, 2016 #ricohgrii. By Eric Kim

Use flash

Flash will add intensity to your images. Quality photography requires good contrast and dramatic light. If you're shooting in the shadows, your black and white photos will likely lack contrast and won't be aesthetically interesting.

Task: photograph all objects with and without flash.

Use flash in all black and white photographs for a week. Shoot with or without flash, then analyze both images. See how flash affects photos in terms of aesthetics, emotional impact and intensity.

Shoot with dramatic light

Try to shoot in good lighting (“golden time” - sunrise and sunset). On the technical side, if you're shooting in aperture priority or program mode, set exposure compensation to -1 or -2.

Task: follow the light.

Seoul, 2009. By Eric Kim

Whenever you shoot, always try to chase the light. Look for small rays of light, be patient. Wait for the right person to enter the frame.

Better yet, try to wait until sunset to take the photo - then you'll get dramatic long shadows. Or, if you're really brave, wake up early in the morning before the sun rises.

Provincetown, 2014. By Eric Kim

Conclusion

There is no "right" or "wrong" about street photography - whether you choose to shoot in black and white or color.

Downtown LA, 2015. By Eric Kim

For most new street photographers, it's best to work on black and white images. For what? This allows you to learn to navigate the basic principles, and not be distracted by color.

Black and white photographs are soulful, but without emotion photography is dead. Learn to make your photos immortal.

For me, black and white photography is one of the most interesting and inspiring areas of creativity, it is what people call a hobby or passion. It is rough and refined, naturalistic and unusual, powerful and sophisticated, mysterious and open, emotional and calm, simple and complex, it contains all shades from black to white. Black and white images are linked to the origins of photography, but what was once just a way to capture images has evolved into something deeper over time.

Practice, practice and more practice

Experienced black and white photographers may see the world as colorless. They train their minds to perceive contrast and tones while ignoring distracting colors. This is not a skill that you can acquire in a short time, it is something that will come to you with experience. I can't say that I'm good at black and white, but I can spot some scenes and objects that require black and white.

One way to prepare your brain is through conscious effort, or in other words, practice. Trevor Carpenter gave us a great example with his October Challenge. He decided to limit himself to only black and white photography for a month. This allowed him to experiment in this medium and learn from his own work. Summarizing his project, he said: “I have noticed, especially in recent days, that when I take or think about a photograph, I sense in advance the potential impact of a composition in black and white.”

Focus on contrast

Black and white photography is black, white and all the tones in between. The human eye, by its nature, is designed in such a way that it perceives two things - the intensity of light and color. When we remove colors, our eye becomes more sensitive to light intensity. A person perceives areas of contrast, thanks to this he can distinguish one thing from another.

When shooting in black and white, your main goal will be to frame your subject through the shades of gray. Use contrast to show your viewers what is important and what is not. Look for scenes that themselves contain high contrast, this will help your black and white shots stand out more from the start.

When processing black and white photos, using Photoshop's features such as levels, curves, and layer blending will give you a wide range of options for achieving the final image. You can also use the dodge and burn technique, which is an effective technique for increasing contrast. This technique works well because it allows you to focus on processing certain elements of the image without affecting surrounding areas.

Focus on texture

In reality, texture is nothing more than a manifestation of contrast, but it is perceived completely differently. If you think about it, texture is a constant or variable pattern of shadows and light of varying degrees of intensity. Black and white photography largely depends on texture.

Colors add an extra layer to a human-perceived image and therefore mask the most subtle textures. Look for areas with interesting textures where the surface can be photographed in a way that highlights the specificity of the surface and brings out the contrast.

The decisions you make during processing can also have a significant impact on the texture. When processing a black and white photo, you have the opportunity to extract texture from a flat surface thanks to the technique you choose. In digital photography, blue and red channels tend to contain more noise than green channels, so tools like the channel mixer and black and white adjustment layer in Photoshop will allow you to bring out the textures contained in your photo.

Shoot in color

This mostly applies to digital photography. If your camera gives you the choice of taking color or black-and-white photos, never choose black-and-white mode. In reality, the camera first takes a color photo and then converts it to black and white.

Photo processing software can make the translation much better, and you will have more flexibility in producing the final image. It's incredible how different photos can be when you edit them yourself, so it's best not to limit yourself before the image even comes out of the camera.

The only exception to this rule is if you are using the camera's black and white mode to get an idea of ​​how the scene might look in the final black and white photo. This trick can help you find good black-and-white scenes faster, but after you find them, return the camera to color shooting mode and take another shot.

Use color filters

In order to change the shades of photographs, photographers who shoot black and white film use filters. Have you ever seen black and white photos with dark skies and snow-white clouds? This is not the result of natural conditions; for this, color filters are used to achieve the desired effect. Using color filters like this with a digital camera is perfectly acceptable, it's not necessary, but it can give you some benefits.

Software like Photoshop allows us to apply filters without altering the original image. Thanks to the program, the same results can be achieved when converting from color to black and white images. Those using Photoshop CS3 will notice that the black and white adjustment menu gives you the ability to customize and apply several filters.

So if you decide to practice a little black and white photography, you should definitely think about these things before and after shooting. Anyone can take a black and white photo, but you will need a little more skill and knowledge to create a good black and white photograph.

Why shoot in black and white?

We know that it all started with black and white, since color photography was not available to the first generation of photographers. Later it was associated with improvisation. The second generation of photographers tried out their fresh ideas on film. But black and white images will never lose their charm. It has an exceptional style and, most importantly, color photography sometimes loses to black and white in expressiveness and symbolism.

In the modern world, many people still enjoy filming in black and white because it opens up a deeper understanding of the nature of the scene. And monochrome images evoke additional sensations.
You should resort to shooting in black and white when colors have no significance in depicting the character of the picture, when there is a sense of mystery or a special mood or strong emotion, when color can distract attention from the essence of the picture or does not fully reflect the essence of the photo. In this case, it is better to neutralize the colors of the scene into one monochromatic image. In other words, it may seem like a compromise to get a better result. Some photographs require this approach, while other photographs have no choice. There are professionals who shoot in monochrome on digital cameras to enhance their vision of the black and white area.

Band system (Adams band theory)

One of the pioneers and great masters of landscape photography, Ansel Adams, came up with an incredible system for presenting a photograph with a finished image. This concept of pre-visualization keeps the photographer moving forward. Although the system may seem mathematical and complex at first, it will allow you to technically master the art of photography.

Using the zone system, you will take a scientific approach to creating art. It's about controlling light, calculating variables, and understanding the subtleties of changing light. The division into light and dark tones provides an explanation of the zone system.

Light quality

It is important for any artist to understand the concept of light and how it integrates with the environment or subject. Various physical properties are responsible for what is recorded by the sensor when the camera passes light. More often than not, reflected light, depending on the intensity and contrast of the edge, adds more dynamic range to the final image.

Let's remember the difference between specular and diffuse (scattered) light. It can help you produce wonders with black and white photography. In simple terms, specular light usually occurs when the light source is far from the subject. There is high contrast and, as a result, bright highlights and sharp dark shadows. On the other hand, diffuse is a soft light that does not produce harsh shadows or overwhelm the highlight areas. Mastering these easy variations can help you create wonderful black and white images, whether outdoors or in your photography studio.

Exposition

Any professional photographer will agree that black and white photography is all about light plus exposure. The approach from an exposure point of view (projecting an image onto a light sensitive element) remains the same whether it is film or digital photography. As mentioned in the zone system, changing the aperture can certainly bring changes to any part of the frame.

During the exposure process, the film version and the digital version will differ. In the first case we observe an S-shaped curve, and in digital we see a straight line throughout the entire image range. Finally, never darken overexposed areas, as this won't add any detail and will result in unpleasant gray tones.

Post-processing

It is better to pay attention to photo editing, since many photographers do not consider a picture that has not been processed to be finished. At this final stage of photographic formation, visualization plays a primary role.
There are various techniques for processing black and white images, the application of which depends on each individual artist and their vision of the final masterpiece.

Most likely, you are already familiar with the basic nuances of using the Photoshop editor. Ultimately, you need to understand when your product is ready. Note that adding a color tone can be related to the core of the photo, such as mood or emotion. And understanding color theory and experimenting with different shades can greatly enrich your black and white image.

One of the most mysterious types of photography is black and white photography. In the hands of a skilled photographer, even the most ordinary frame, translated into monochrome format, can become a masterpiece. This technique is used for various purposes - the desire to emphasize the character of the character, creating the necessary atmosphere, plotting, the desire to get rid of an excessive number of colors - each has its own motives. One constant, black and white photo can capture the viewer's attention if created with knowledge of all the subtleties and details. That's why we've chosen 15 important tips that will help every novice photographer learn how to work with monochrome photography.

1. Watch Black and White Cinema

Before you start shooting in black and white, you need to get used to it a little and get comfortable with the specifics of colors and framing. And there is no better way than to use an imperishable classic. Cinematic masterpieces such as Casablanca will not only help you have a good time, but also give you a lot of great ideas. Don’t be shy and turn to established photographers for help; you can get inspired by the best black and white shots of famous artists.



2. Shoot in RAW format

When we take a photo, any photo, it doesn't always come out the way we would like. Usually, this only becomes noticeable at home, when viewing the footage on the big screen. Even if nothing can be changed, you can always fix something. The RAW format (or “raw” in translation) allows you to make a lot of adjustments during post-processing. Adjust exposure, contrast, etc. Therefore, despite the fact that Raw photos take up more space on the memory card, this is the most suitable format in which you should always shoot.



3. See with black and white eyes

As confusing as it may sound, this is exactly what you need to look at before taking a photo. In order for colors not to distract from the plot, it is not at all necessary to rush to invent new glasses. You just need to pay attention to the lines, shadows and shapes. They are the ones who build the composition, and on it, in turn, the entire black and white photograph rests.





4. Pay attention to noises

Until recently, low light conditions required flashes, additional lighting sources, and generally made life difficult for the photographer in every possible way. Modern cameras have incredible capabilities even with a small amount of light. In addition, we should not forget that we always have at hand a lot of programs that can reduce the amount of noise in a photo. And yet, habit overcomes rationality, and photographers do not pay attention to noise. However, a true master must take into account all the details, including annoying points.



5. Watch the contrast

The tastes and colors of your comrades may not be the same, but the most outstanding photographs taken in black and white tend to include both almost solid white areas and almost solid black areas. By increasing contrast, you can add depth to the frame, hide unnecessary, distracting details and highlight the most important elements. Therefore, it is always worth fiddling with the settings (or sliders in post-processing) to compare a more contrasty and less contrasty frame. The result may surprise you.



6. Look for more grayscale gradients

In addition to black and white, there are millions of intermediate colors in the frame, and all of them undoubtedly affect the perception of the final picture. To ensure that the photo does not seem monotonous and boring, you should choose for black and white shooting those objects that have enough intermediate shades. If the object is already selected, you can add them using shadows, reflectors and additional light. As a result, you will be able to enrich the image and make it more interesting for the viewer.





7. Use a polarizing filter

As we already know from numerous previous materials, a polarizing filter removes unnecessary glare and reflections when photographing water or treetops. They can be distracting in a color photo, but when it comes to black and white, they can completely defeat the idea and meaning of the frame. Therefore, a polarizing filter is especially important for a monochrome style. With its help, you will be able to maintain the composition and not oversaturate the frame with unnecessary details.



8. Don't forget about textures

There are pros and cons to textures in black and white photography. One of the advantages is that if they are not primitively directly lit, their contrast and detail will add to the attractiveness of the image. In addition, they can be used to highlight the main object or model.

The downside of textures, again, is that they distract attention - if used incorrectly, they can distract the viewer's attention. For example, they should not try to fill negative space. So while filming, always be aware of where textures will help enhance the shot and where they risk ruining it.



9. Know the terminology

Black and white photography is generally referred to by three big terms - b/w (black and white), monochrome and grayscale. So, “monochrome” means color placed on a neutral background, so black and white photos (usually the subject is on a white or black background) are the type (most common) of monochrome photography. But grayscale (grayscale) is just a way to display black and white images on a computer, the capabilities of which, compared to the eye, are limited.



10. Use patterns

If you look closely, in nature we are often surrounded by natural patterns that we rarely pay attention to. However, it's time to open our eyes: if we look away from the abundance of colors, we can notice these very patterns, and they are often the ones that can give meaning to a photo or even create an image. Once you train yourself to pay attention to them, you will begin to notice them everywhere - in the arrangement of cars in parking lots, in the shoes of people standing in line, in clothes hanging in a store, and so on. We are surrounded by a lot of interesting ideas.





11. Black and white photos and long exposures

Long exposures are used in various types of photography, usually nature or cityscapes. However, sometimes it is the colors that violate the integrity of the picture. In this case, before abandoning the photo, you can try your luck in black and white format. Experience shows that many functions and effects typical for long-exposure photography can be combined very well with black and white, so we recommend experimenting.



12. A black and white frame is not a panacea for poor lighting, but it can sometimes help out

It happens that the conditions turn against you and natural lighting, which you cannot cope with, does not give the best result. You can (and should) use filters, flashes, reflectors and everything you have in your arsenal, but sometimes it’s enough to just remove the colors, thus hiding imperfections. This does not always work, but for example, if we are talking about a frame that is not so easy to catch (for example, a wild animal), it is worth trying black and white.



13. Don't be fooled

Sometimes we shoot footage that simply doesn't have enough color. This happens especially often in winter - an abandoned blackened house, against a backdrop of pure snow, with dry trees behind - is this a familiar picture? As a rule, at the post-processing stage, when seeing such frames, the hand arbitrarily reaches for B/W, but if you give free rein to the impulse and convert the photo to black and white format, the result is most often disappointing. So, if the photo is already practically colorless, it will look better in color mode than in black and white.





14. Shoot in HDR

It's sometimes surprising how little attention the photography community pays to black-and-white HDR photos. We're all used to how impressive HDR photos look, how they're a little exaggerated, dramatic, and even three-dimensional. And all this is without a doubt ideal for black and white photography. Therefore, we definitely shouldn’t miss this opportunity - everything that we want to achieve from b/w will become even brighter when using HDR.



15. Work with the HSL panel in post-processing

Most likely, this advice is the most important and it concerns not the shooting process itself or preparation for it, but post-processing. Once you have a finished photo in your hands, it is absolutely necessary to correct the colors using the HSL panel in your image editor. You need to focus on many details and moments, but what is definitely clear is that sometimes you can achieve a much better result if you use this little secret.