Canon lenses: a starter kit for a beginner. Canon lenses: a starter kit for a beginner Among the advantages of portrait photography are noted

Most fans of photography and videography rate the Canon 650d as the best amateur SLR camera. It is optimal for those who recently captured the best moments of their lives using a digital camera or smartphone.

The Canon 650d will provide incomparably better quality pictures and videos in any lighting conditions. The peculiarity of this model is that it was the first to use hybrid autofocus and touch screen technology.

Prices

The most expensive cameras of this model are in kit configuration with an 18-135 lens. Canon 650d price starts from RUB 30,190. Price range for Canon EOS 650 d kit 18-55 – from RUB 21,990. up to RUB 23,599

The cost of body cameras, that is, devices not equipped with lenses, starts from 14,800 rubles. In addition to them, you can buy another type of optics, released simultaneously with the 650 model - the small-sized EF 40 mm F/2.8 STM, which is called a “pancake” among amateur and professional photographers. But he works quite slowly with this camera.

Appearance

The design of this camera is in many ways similar to its predecessor, the Canon 600d. The difference in the sizes of the devices is +/- 1 mm. Buttons have been removed from the display, stereo microphones have been moved to the top of the body and are located next to the connector for connecting an external flash.

Together with the battery, the weight of the device is 575 grams. If the shape of this chamber is generalized to a parallelepiped, then its dimensions will be as follows: 13/10/7.9 cm. The color is black, the plastic is pleasant to the touch, with a rough surface.

Options

Canon 650d EF-S 18-135 mm

Along with the release of the Canon 650d camera, the manufacturer pleased amateur photographers with the release of new lenses, one of which is the EF-S 18-135 mm. This optic is notable for its fast and quiet operation in video mode. The fact that the device belongs to the EF-S series means that it is intended for devices with an APS-C format matrix. Canon 650 d 18-135 d is the most expensive and successful package.

The undoubted advantage of this lens is its equipped with a dynamic stabilization system. That is, all camera movements and shakes (for example, when stepping or driving a car) during shooting are automatically compensated, which allows you to get high-quality professional-level videos.

For the first time, STM technology was used for DSLRs on the EF-S 18-135, that is, linear stepper motors were used for autofocus. Before this, such motors were only available in mirrorless devices.

Canon 650d EF-S 18-55 mm

This lens has become a “traditional” lens for Canon. It is cheaper, but has proven its reliability and ability to produce high-quality photos and videos. In autofocus mode it takes excellent pictures. Since the Canon 650d 18-55 is a more budget-friendly camera, it is the best option for a beginner.

DSLR camera review: one of the most budget and affordable.

Looking for an entry-level Canon camera? Take a closer look at the Canon 600d: simple settings, great photos. .

Better results can be obtained with upgraded STM lenses that are equipped with stepper autofocus drive devices. It is controlled by a button; almost all major adjustments can be made with a single touch: ISO, WB, autofocus order, timer setting. And you can freely choose the focus location using the viewfinder in the Canon EOS 650D.

Comparisons

Canon 600d

• release time: Canon 650d – winter 2011, Canon 600d – autumn 2012
• For the first time in the Canon 650d model line, the screen has become touchscreen
• the minimum ISO for the Canon 600d model is 6400, for the Canon 650d – 12800
• extended ISO: respectively 12800 – 25600
• cross-shaped focus points: Canon 600d – 1, Canon 650d – 9
• FPS, JPEG (burst speed): 3.6 fps - 5 fps
• Kiss Digital: Canon 600d – X5, Canon 650d – X6i
• Digital Rebel respectively: T3i – T4i

It is difficult to say which camera is better: Canon 650 or 600. Both of these devices are worthy creations of this Japanese manufacturer. Each model has a convenient rotating screen, autofocus, and intelligent mode.
The Canon 650d has a more powerful DIGIC 5 image processor (the Canon 600d has DIGIC 4). Higher response speed to the photographer’s actions, excellent shooting of dynamic events.

What makes the Canon 650d so special is that you can Shoot in low light conditions without using flash, since ISO is expandable up to 25600 units.

Photos are more detailed in color, the processor allows for smoother shade transitions, and photos in low light are clearer. The EOS series has a built-in EOS Movie Photo function, largely due to which the quality of the videos increases.

The hybrid focusing system automatically tracks the subject while shooting. The presence of a built-in mini-HDM port increases the convenience of using the camera: all pictures can be viewed on the TV screen.

There is an HDR BacklightControl function, it provides the ability to shoot the same object with different exposures, and as a result of combining frames, high-resolution photos are obtained.

Despite the fact that both Canon 600d and Canon 650d models have the same 18 pixels. matrices, the same video format, screen size, functional purpose of all 4 buttons, the differences between these devices are quite significant. And they are all in terms of control and performance.

The Canon 650d has virtually professional video and has a continuous shooting mode. In this camera, the manufacturer has returned a motion sensor for automatic screen switching.

Nikon d5200

Canon and Nikon are long-time rivals: both and the Canon 650d have a lot of advantages, both have excellent characteristics in terms of photo and video shooting, handling and ease of use. You can choose which one to buy, Nikon 5200 or Canon 650, only by feeling and holding both cameras in your hands.

Some fans have their long-standing preferences for one of the brands, but for beginners the Canon 650d model is still more convenient than the Nikon D5200: it actually does not require manual control. This is the best entry-level DSLR not only among its Canon counterparts, but also Nikon and Sony.

How to properly shoot video on a Canon 650d

Better results can be obtained with upgraded STM lenses that are equipped with stepper autofocus drive devices. It is controlled thanks to a button; almost all major adjustments can be made with a single touch: ISO, WB, autofocus order, timer setting. And you can freely choose the focus location using the viewfinder in the Canon EOS 650D.

A sensor that can be programmed is the main button of the navigator; its functionality: selection of image efficiency, adjustment of the flash, “on” and “of” of the information device, ordering of the provided capabilities, ISO adjustments.

Along with the classic video, there is an alternative way using the touch screen. By pressing the Q button or the corresponding mark on the display, the screen will show the high-speed menu. The various settings provided can be changed either using standard buttons or touching the screen.

Video shooting takes place with a resolution of up to 1920x1080 at 30 pictures per second. By lowering the resolution to 1280x720, it is possible to increase the frame rate to 60. Video should be taken using program or manual exposure mode. You can configure the demonstration parameters during shooting, then their changes are observed in a stepwise manner. Continuous autofocus is possible while shooting video.

If you look at the specifications of the new camera and compare it with the 600D, you will find that not much has changed. This is still an 18 megapixel camera. matrix, 1080p video recording, Canon 9-point autofocus system, and a 3-inch fixed screen with a resolution of 1040 thousand. pixels.

But take a closer look and you'll discover a host of new features and improvements that make these cameras very different from each other in terms of handling and performance. The new model is equipped with a touch screen and supports the same manipulations as a regular touch mobile phone, and convenient focusing and shooting is also possible using the display. The autofocus system has been radically overhauled, with the new hybrid system now integrating detection and tracking capabilities into the main image sensor, allowing for better continuous autofocus performance in Live View and during video recording. The EOS 650D features the latest Digic 5 processor, which supports ISO 25600 and in-camera image correction.

Other improvements include continuous shooting, which has increased from 3.7 fps. up to 5 frames/sec. Also in the new DSLR it is possible to select ISO sensitivity and HDR Backlight, with the help of which it became possible to expand the tonal range. Finally, Canon has announced two new lenses featuring stepper motor technology for faster and quieter autofocus during video recording. These are the 18-135mm and 40mm f2.8 lenses, which pair perfectly with the new camera.

The 650D's main competitor will be the Nikon D5100, but until its release has been announced, it's fair to compare the EOS 650D to the D3200. Read on and we will definitely make this comparison.

Canon EOS 650D design and control

In terms of external design, the EOS 650D is very similar to its predecessor. Its dimensions are 133.1x99.8x78.8mm, and its weight is 575 grams, including battery and card. If we remember the parameters of the EOS 600D, we get the same thing, +/- 1 mm, on one side or the other, the difference in weight is also insignificant - only 5 grams.

If you just see this camera on the street, you won't be able to tell it apart from the EOS 600D. Except that the nameplate on the front panel of the case has been converted into a switch. The built-in stereo microphone is located at the front of the hot shoe, and the buttons on the display have disappeared.

Nikon D3200 with a memory card and battery weighs 505g, and its dimensions correspond to 125 x 96 x 76.5 mm. In general, it is a little smaller and much lighter, but still, the difference is relative, because by choosing a different lens for one or another camera, we will get a completely different weight.

If we talk about shooting modes, the 650D, like the previous model, supports Intelligent mode, Automatic, Flash off and several scene modes, ending with manual and Night modes. As before, the memory card hole is located on the right side of the case and supports SD, SDHC, SDXC UHS cards. On the other side of the case, behind a soft plastic flap, you will find a mini HDMI port, a USB 2.0 port and an A/V output for analog connection to a standard TV. There is also a built-in stereo microphone and a connector for connecting an external microphone.

On the bottom plate there is a tripod mount, which is located directly under the lens mounting axis, with the battery compartment cover to the right of it.
The rear panel is very similar to the EOS 600D. In fact, the button layout is exactly the same, although some button shapes and labeling have been changed. AE/AF lock remains in the top right corner. There is still a 3-inch screen on the back of the camera, but now it is touchscreen, which is more relevant at the moment. With the new EOS 650D we see the return of the proximity sensor to automatically switch the screen while using the viewfinder. The sensor is mounted above the viewfinder on the back of the camera, this placement is very convenient.

The controls on the right side of the screen remain the same as on the 550D, but the panel itself has been slightly redesigned and some buttons are now placed in a different location. At the top of the panel you'll find the AV exposure compensation button, then the Q button. Below that are the traditional four buttons, which perform the same functions as previously on the 600D. The white balance, autofocus mode, and style buttons remain on the mode dial. Below are the play and delete buttons. Canon has retained the depth of field and preview button, which can be found just below.

Canon EOS 650D Equipped with the same LP-E8 lithium-ion battery, which is used in two predecessors. The battery lasts approximately 400-440 frames on a single charge. If you shoot in Live View mode, the battery will drain faster. There are four battery charge levels in total, which is not very convenient compared to the exact percentage used in Sony models. The life of the camera on a single charge can be extended using the battery grip. In addition, power supply from the network is possible; for this there is an additional adapter ACK-E8. In any case, the battery charge is quite weak, so it is better to purchase a spare battery.

The EOS 650D has a built-in flash with a guide number of 13. The flash can be used in automatic and manual mode. The camera has a red-eye mode and exposure compensation is possible. As before, there is a hot shoe for installing an external Speedlite flash; the sync speed remains 1/200. The camera allows you to control external Speedlites that are mounted on the hot shoe, you can adjust compensation, bracketing, sync and zoom. As expected, the model does not have a PC Sync port, but the 650D, like its predecessors, inherits support for wireless control.

Viewfinder and screen in Canon EOS 650D

The EOS 650D retains the penta-mirror optical viewfinder with 95 percent coverage and 0.85X magnification. These are approximately the same figures as most DSLRs of the same class, although differences are still present. The Nikon D3200's pentamirror viewfinder has 95 percent coverage and 0.8x magnification, in theory very similar, but in practice the EOS 650D gives better results.

The 3-inch hinged screen has the same dimensions and resolution 1040 thousand pixels, as in the previous model, but now the display is touch-sensitive - a first for Canon DSLRs. The screen is very sensitive and supports multi-touch, which is familiar to most people from working with phones and tablets.

Touch screens on cameras like this tend to get a positive response, but the response from photography enthusiasts has been rather mixed. Touch controls complement manual controls, but do not replace them; you can disable the touch screen altogether and operate the camera without it, although in my opinion this is not necessary.

Lens and image stabilization on the Canon EOS 650D

The EOS 650D uses a Canon EF lens mount and is compatible with all EF and EF-S lenses. The APS-C sensor reduces the effective area. Two new lenses were announced with this model - the EF-S 18-135 f3.5-5.6 IS STM and the EF 40mm f2.8 STM pancake lens. The lenses feature a stepper motor for autofocus, this motor is commonly found in mirrorless compact cameras and provides silent autofocus operation, making the camera ideal for video shooting with continuous autofocus. The camera ensures uninterrupted autofocus operation when recording video, which is the first time Canon has achieved such results in a camera of this level.

The effective range of the 18-135 Lens Kit STM makes it a great all-around lens. The EF 40mm f2.8 STM lens is quite slow on the 650D, this lens would be more suitable for a full-frame camera, here it can show itself at 100%.

Canon EOS 650D with EF-S 18-135mm IS STM lens normal view (18mm (29mm equivalent))

Canon EOS 650D with EF-S 18-135mm IS STM lens closest (135mm (216mm equivalent))
To test image stabilization, we set the lens to its maximum zoom equivalent to a 216mm focal length and took a series of shots in shutter priority mode at various shutter speeds with image stabilization enabled. As you can see, the image stabilization worked well, with images clear and sharp at speeds up to 1/8.

Canon EOS 650D with EF-S 18-135mm IS STM image stabilization off/on

100% coverage, 18-135mm at 135mm ISO 100 1/8 included.

100% coverage, 18-135mm at 135mm ISO 100 1/8 off.

Shooting modes in Canon EOS 650D

EOS 650D uses the same 63-zone exposure metering system, like other models with an APS-C matrix from 1100D to 7D. Total There are four modes - evaluative (default), partial, spot and center-weighted. The evaluation mode turns out to be quite accurate and works great with most lenses.

You can simply switch to Intelligent or Auto Scene, which is used to determine the best exposure. In addition to PASM modes, there are others such as Creative mode, where you can control depth of field, white balance, exposure and other parameters, and there are seven scene modes. Two of them are integral - the manual “NIGHT” mode, which takes four frames with a given ISO sensitivity and combines them, thereby reducing the noise level, the result is saved instantly. Another option for composite photography is called HDR Backlight Control, where the camera takes three photos at different shutter speeds and then combines them into one image with high dynamic range. Thus, the details of the object are well preserved. HDR Backlight Control sets ISO sensitivity automatically. For the example below the ISO sensitivity was set to 640, the photo shown next was taken in aperture priority mode at ISO 400. As you can see, the HDR option retained more detail in the highlights around the stained glass window.

Aperture priority. Canon EOS 650D with EF-S 18-135mm lens

HDR Backlight Control. Canon EOS 650D with EF-S 18-135mm lens

Exposure compensation is available in increments of 1/3 (plus or minus), five different positions are possible, and AE bracketing can be set over three frames up to 2EV.

The 650D retains the same picture styles as previous models, which apply sharpness, contrast, saturation and color tone. Shooting can be carried out in the following modes - Auto, Standard, Portrait, Landscape, Neutral and three custom modes. The monochrome option offers four filters and four toning effects. Also changed from the 600D is Auto Lighting Optimizer, which adjusts image brightness and contrast with dark areas, and Highlight Tone Priority, which expands dynamic range to preserve image detail.

The EOS 650D also inherits peripheral lighting correction, which is applied to JPEG images to reduce vignetting where the image has darkening in the corners. Peripheral illumination correction is enabled by default.

Color edging correction is a welcome innovation. And this feature is not inherited from its predecessor, the EOS 600D, but taken from the EOS 60D. This option is disabled by default. The example below clearly shows how useful and effective this option is. Don't forget to turn it on on your camera.

Canon EOS 650D chromatic aberration correction is disabled. EF-S 18-135mm f3.5-5.6 IS STM f3.5 ISO 100

Canon EOS 650D chromatic aberration correction enabled. EF-S 18-135mm f3.5-5.6 IS STM f3.5 ISO 100

Image processing in Canon EOS 650D

The addition of a touchscreen makes the EOS 650D very convenient for in-camera image processing, much more convenient than the EOS 600D was. The first thing to say about the touch screen is that if you don't like working with it, you can always turn it off and work just like you did with other Canon DSLRs - all operations and functions in the camera are doable and without sensor.

The screen can be used to navigate and select menu items. The cool thing here is that Canon hasn't had to modify much of the on-screen icons and menus, which remain largely the same as on the 600D, and yet they still work very well with touch controls. When you select most menu items, they are displayed on a new page, where they are presented as a large touch icon. The screen is very accurate and sensitive, with it you can easily and quickly set your camera to the desired shooting mode.

With the latest technology incorporated into the EOS 600D's touchscreen, using the camera will be more convenient. Not only setting up basic shooting parameters, but also shooting itself will become easier and more convenient with its help. The touchscreen allows you to adjust the camera's focus without much difficulty and unnecessary movements, which may later affect the quality of the pictures. Especially if you take pictures at slow shutter speeds, where the slightest camera shake leads to blurry images. Or when recording video, when pressing a button can be heard in the video file. At first, working with the touch screen may seem inconvenient, but in the future you will experience all the delights of such work.

The autofocus system has been radically updated and is the most important innovation developed in the EOS 650D. As before, the 650D has a traditional autofocus system that works when using the optical viewfinder. All nine sensors are cross-shaped, that is, they are sensitive to both vertically and horizontally oriented objects, and the central one provides increased (double) sensitivity when using lenses with a maximum aperture ratio of 1: 2.8 or higher.

The Canon 650D uses what is called hybrid autofocus. The latest AF point detection systems have been introduced here, the sensor itself is actually focused, then the focusing is refined using a contrast detection system. This means that autofocus should become faster and more accurate because the detection phase determines whether the subject is located within the current focus point.

Thanks to the 650D's new Hybrid AF system, fast, high-quality focusing is possible, as well as continuous shooting in Live View and video recording. Currently, hybrid AF has its greatest impact in video shooting, where the ability to focus accurately and consistently is critical.

Continuous shooting with the Canon EOS 650D

Canon EOS 650D has one mode available continuous shooting at 5 frames per second and this is a significant improvement over the previous model's 3.7 frames per second. The buffer can hold 22 large JPEG images or 8 RAW files. Shooting in JPEG format at ISO 100, the 650D can shoot 100 frames at 5fps. When shooting in RAW mode, the shooting speed will be slightly faster than 5 frames per second.

The 650D shoots well during continuous shooting, at a higher speed than the same Nikon D3200 (by 1 frame per second), although due to the smaller buffer in the Canon, when shooting RAW you will get 6 frames instead of 14 (for the Nikon D3200). For better continuous shooting performance with Canon, you are better off purchasing a semi-professional camera model. The 60D isn't much faster (5.3 frames per second), but it has a larger buffer, allowing you to shoot many more images in both RAW and JPEG formats, so you can keep taking photos as long as the memory lasts. If fast continuous shooting is one of the most important indicators of camera performance for you, then it is better to consider the 7D with a maximum speed of 7 frames per second, where the buffer will be enough for 25 RAW images. You can also consider Sony cameras, they offer fairly fast continuous shooting in their models.

Matrix in Canon EOS 650D

The EOS 650D has an 18-megapixel sensor measuring 22.3 x 14.9mm, with its help you will get an image with a maximum size of 5184 x 3456 pixels and an aspect ratio of 3:2. ISO sensitivity range from 100 to 25600, shutter speed range from 30 to 1/4000, flash sync speed 1/200.

Image data can be saved in RAW or JPEG format. The best quality JPEG images will take up approximately 6 to 10 MB of memory.

Canon EOS 650D and Nikon D3200 - quality comparison

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To compare real-world performance, several shots were taken with the Canon EOS 650D and Nikon D3200, using both camera's best settings in JPEG format.

The Canon was equipped with an EF-S 18-135mm f3.5-5.6 IS lens, and the Nikon D3200 was equipped with a Nikkor 18-55mm f3.5-5.6 VR lens.

Both cameras were set to aperture priority mode, image stabilization was disabled, and the shooting was carried out using a tripod. All other settings were set to default. The 650D had Auto Lighting Optimizer set to standard, with built-in lighting correction and chromatic aberration correction disabled. D-Lighting was enabled on the D3200. ISO sensitivity is 100 and was set manually on both cameras.
The image was taken using a Canon EOS 650D in aperture priority mode with the value set to f8 and ISO sensitivity equal to 100. In this case, the shutter speed was equal to 1/500, for the D3200, with the same aperture opening parameters, the shutter speed was equal to 1/400.
The image taken with the EOS 650D is clearer, better color reproduction is visible, and the image has more contrast. In the Nikon photo we see a blurrier image.

Photo taken with Nikon D3200

Despite the difficult weather conditions, the lighthouse looks very clear on both cameras, but the houses in the middle and foreground make our comparison more interesting. Edges look crisper and sharper in photos from the EOS 650D.

Photo taken with Nikon D3200

Photo taken with Canon EOS 650D

The third picture shows that the new 18-135mm lens from Canon suffers quite a bit from chromatic aberration at the edge of the frame, even at f8. Luckily, this isn't an issue as the EOS 650D now has chromatic aberration correction, just be sure to turn that option on.

Photo taken with Nikon D3200

Photo taken with Canon EOS 650D

The last shot only reinforces the good impressions left after viewing photos taken with the EOS 650D, and again we see a detailed, clear, contrasting image. It's clear that the 650D's fine detail detail is much better than its D3200 competitor.

Photo taken with Nikon D3200

Photo taken with Canon EOS 650D

Video shooting mode in Canon EOS 650D

650D It has the same video features as the 600D. Shooting is possible with the following parameters - 1080p25, 720p50 1080p24 and 640p25. So you can switch from 25 frames per second to 50, and replace 30 with 60 frames per second.

As before, the video is encoded using H.264 and the audio file is stored in the QuickTime MOV format. The maximum recording time for one clip is 29 minutes and 59 seconds. There is also a limit on the size of one file of 4 GB; if the file exceeds this size, it is automatically split into two files. The weight of one minute is about 330MB in any of the HD video modes, both at 720 and at 1080, the weight will remain the same due to the higher frame rate. So the 4GB limit will be reached in about 12 minutes, regardless of HD quality settings. When this happens, a new file will be created automatically without interrupting recording. A fully charged battery should last approximately one hour and 40 minutes of recording time.

The EOS 600D microphone has been upgraded, and the 650D now has new stereo microphones, and the 3.5mm jack for an external microphone is also retained. The audio recording level is set to automatic by default, but you can also set it manually using the sound menu. The chamber has a filter that suppresses external noise and wind. The 650D also retains a feature where the camera takes a series of short clips of a set length of 2, 4 or 8 seconds and adds them to an album.
To enter video mode, you now need to press the on/off button, indicated by a video camera icon. The aperture opening level is in automatic mode, the shutter speed and ISO sensitivity are also set automatically, but by turning the mode dial to the M position, you have full control over all possible shooting parameters.

The biggest change to video recording in the EOS 650D comes from the touchscreen combined with hybrid autofocus. This allows you to control focus while recording silently (provided you have one of the STM lenses), quickly and accurately. This really takes the video recording capabilities of Canon cameras to the next level.

The 650D has an improved touch screen than mirrorless cameras. This camera has touch-sensitive buttons on the screen, one of which allows you to switch to Servo AF mode. This mode allows you to detect the speed of a moving subject and precisely focus on it when it is in the desired place, using the touch screen you can easily and quickly activate Servo AF mode and get started. In manual exposure mode, you can adjust aperture, shutter speed and ISO using buttons on the touch screen. You can adjust all these parameters using physical buttons, but during shooting, especially video shooting, this can lead to unwanted sounds and camera shake.

All this makes the manual control system very convenient, but still, it is not perfect. The detection sensors are located in the center of the screen, which means that if your subject strays to the edge of the frame, autofocus will either choose to focus on something that is located in the center of the frame or switch to a slow contrast system. And if you move your subject closer, or vice versa, move away from the subject, autofocus will take a few seconds to adjust again.

Canon EOS 650D with EF-S 18-135mm STM lens first video sample. Street, sunny, manual control system.

At first glance, videos shot with the 650D look great. This video, like all the others, was shot in the best quality (1080p25). Stabilization works well, there is no noise from autofocus. Usually, when you zoom in on the lens, the camera jumps and the camera shakes a little, but in this case everything worked perfectly.

Canon EOS 650D with EF-S 18-135mm STM second video sample. Street, sunny, tripod used

For this video, I installed a tripod and set it to panorama mode, with stabilization turned off. Focus Servo AF is enabled.

Canon EOS 650D with EF-S 18-135mm STM third video sample. Indoors, low light, manual control.

This video was shot using auto mode and exposure settings, and the camera moves a little more than other Canon models.

Canon EOS 650D with EF-S 18-135mm STM fourth video sample: autofocus, touch control

Here is an example of working with touch when focusing in a video. This time the camera is in manual mode with the aperture set to f4 and ISO set to auto. The first thing to note is that we cannot hear the sound of the lens operating at all. Focus performance is quite positive, especially when zooming in. This video was taken in low light conditions, but the results are impressive nonetheless.

Canon EOS 650D with EF-S 10-22mm STM fifth video sample. Autofocus, sensor control.

The hybrid matrix performed well when recording a video file; minor flaws in the work are noticeable, but they are insignificant. Please note that the sounds of camera adjustment and lens zooming are practically inaudible.

Canon EOS 650D with EF-S 18-135mm STM sixth video sample: Autofocus tracking

This video tested the tracking system, it was made at maximum zoom (135mm), aperture opening equal to f5.6, the touch screen was also used to lock focus, thanks to hybrid autofocus, the main objects of the video were in focus throughout the entire video.

Examples of images taken with the Canon EOS 650D

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The following images were taken using a Canon EOS 650D with an EF-S 18-135mm lens attached. Shooting was carried out in automatic mode (unless another mode is specified)
Image stabilization was turned on because the photos were taken without the aid of a tripod. The white balance was set automatically and the image compression ratio was high.

Landscape: 7.14MB, auto programs, 1/320, F10, ISO 100, 18-135mm at 18mm (29mm equiv)

Landscape: 7.19MB, auto programs, 1/125, f7.1, ISO 100, 18-135mm at 18mm (29mm equiv)

Landscape: 7.87MB, auto programs, 1/400, f8, ISO 200, 18-135mm at 135mm (216mm equiv)

Portrait: 5.52MB, auto programs, 1/200, f8, ISO 100, 18-135mm at 50mm (80mm equiv)

Macro: 7.2MB, close mode, 1/200, f5.6, ISO 400, 18-135mm at 135mm (216mm equiv)

Interior: 6.39MB, auto programs, 1/60, f4, ISO 100, 18-135mm at 18mm (29mm equiv)

Landscape: 10.79MB, auto programs, 1/250, F10, ISO 100, 18-135mm at 18mm (29mm equiv)

Interior: 6.58MB, auto programs, 1/100, f5.6, ISO 400, 18-135mm at 18mm (29mm equiv)

Interior: 5.31MB, auto programs, 1/400, f7.1, ISO 100, 18-135mm at 135mm (216mm equiv)

Interior: 6.56Mb, auto programs, 1/80, f4, ISO 1600, 18-135mm at 18mm (29mm equiv)

Macro: 4.3MB, close mode, 1/320, f5.6, ISO 100, 18-135mm at 79mm (126mm equiv)

Results comparison Canon EOS 650D and Nikon D3200

The D3200 is Nikon's latest entry-level camera. This camera is very similar to the EOS 650D in some respects, so comparing the two cameras is quite appropriate. The first thing a beginner who wants to buy an inexpensive and high-quality camera should pay attention to is the touch screen, which makes working with the 650D much easier, making camera control more convenient.

Another convenient innovation for the novice photographer in the 650D is a hybrid focusing system with 9 cross-shaped sensors capable of detecting and tracking the subject in focus. The D3200 has 11-point autofocus, including one cross-type. In both continuous shooting and video shooting, the autofocus 650D performed much better.

Another advantage of the 650D is the new set of STM lenses. They have motors that operate virtually silently, without creating distracting sounds, while the camera is focusing for video shooting. Even when working with older lenses, the 650D works well; you can use all lenses like Canon EF and EF-S in shooting, while all the functions and features of these lenses will be preserved, while in the D3200 autofocus will only work with the latest models lenses.

EOS 650D It has fast continuous shooting, a high maximum ISO of 25600, super noise reduction, wireless flash control and auto-exposure bracketing.

The D3200 still has one main advantage over the EOS 650D; it is a higher matrix resolution of 24 megapixels. . However, when testing the cameras, it was difficult to understand what benefits this provides. Images taken from the 650D are much sharper and more detailed than those from the D3200, and Canon's camera also showed better performance at high ISOs.
Overall, it's clear that the 650D is a better camera than the D3200, but those extra features and performance come at a price. The D3200 is a more affordable camera compared to the 650D. Nikon will soon release a new model of the D5100 camera, then the comparison will be more fair.

Canon EOS 650D. conclusions

The Canon EOS 650D is Canon's best entry-level camera. It fits perfectly into the EOS 600D and EOS 60D ranges of cameras, which have many similarities, but the new EOS 650D has many features that were not available in previous models. It has a new sensor, but with the same resolution of 18 megapixels, it has the same 3-inch display, but in this model it has become touch-sensitive.

The touch screen on the EOS 600D has proven to be excellent, very sensitive and accurate, making operating the camera easy and convenient. The new touch display will attract many new customers who will appreciate Canon's revolutionary new product.

Previously, we already talked about lenses for Nikon D7000 (D7100) and for Nikon D5100 (D5200, D5300). It's Canon's turn. Let's talk today about best lenses for 650D and 700D cameras. Most of the lenses mentioned today will also work well with earlier models, such as 600D, 550D etc.

UPD. The site also has an article dedicated to lenses for Canon 60D and 70D. It mainly deals with more premium glasses, but, nevertheless, all of them are also suitable for cameras of the younger line. So for those who choose a lens for the Canon 600D (and its updated versions), it will be useful to familiarize yourself with that material.

First, let me remind you, you never know: Canon 650D, 700D and others are all cameras from the same line. The smaller the three-digit number before the letter D, the older the camera model. Accordingly, today the newest device is the Canon 700D. However, even the Canon 600D is still sold in Russian stores. The 650D and 700D are very similar. What sets them apart from older cameras in the line is the support for STM motors present in modern lenses.

Universal lenses for Canon 700D (650D)

Both zoom lenses and fixed focal length lenses are universal. I talked about the difference between primes and zooms in a separate article. A universal lens, in principle, is a lens that is suitable for photography in various genres: portrait, landscape, street, and so on. The lenses described below are quite suitable for the role of universal ones.

Canon EF-S 18-55mm f/3.5-5.6 IS STM– I talked about this lens in a video review, and then in the corresponding article. This is Canon's newest 18-55mm lens. With cameras like the Canon 700D this lens is included (if you buy a kit and not a body, of course). If you are buying your first camera, this lens may be right for you. But, in general, the quality of the picture obtained from it leaves much to be desired. However, its main advantage is the presence of the same STM motor with which the 650 and 700D carcasses will work. And the way this motor works is that it allows you to shoot video with autofocus, which operates quite smoothly and makes virtually no noise. Overall, the Canon 18-55mm STM is a good choice if you're interested in the full range of multimedia capabilities your camera can offer, not just photography.

Canon EF-S 18-135mm f/3.5-5.6 IS STM– the magnification factor of this zoom is greater than the previous one, which makes it a little more versatile, allowing you to take photographs, including in the television range. Roughly speaking, compared to the 18-55mm, it is better suited for photographing distant objects. Otherwise everything is the same here. A wide angle of approximately 74 degrees at 18mm allows you to capture a large number of subjects in one frame, while focal lengths from 85 to 135 can produce acceptable portraits.

Tamron SP AF 17-50mm f/2.8 XR Di II LD Aspherical (IF) Canon EF-S– this is a more “adult” option. This lens has a large aperture (f/2.8), which provides a number of advantages, including greater background blur (by 50mm compared to the same 18-55mm STM) and the ability to produce less noise in photographs in low light conditions. I’m deliberately simplifying your life and not writing in “smart” words, but if you’re interested, you can read about what aperture, ISO and shutter speed are in a separate article. Returning to the conversation about Tamron 17-50mm, it is worth noting a number of interesting facts. Firstly, this lens is produced not only for Canon cameras (like other lenses from third-party manufacturers, which will be described below). So, look more carefully if you decide to buy it - whether you are buying it for the right system. Secondly, there are now two versions of the Tamron 17-50mm lens on sale - with and without stabilizer. Above is the full name of the version without a stabilizer for the Canon EF-S mount. The version with a stabilizer is designated by the additional abbreviation VC and costs slightly more. If you don’t want to overpay, you can take the version without a stabilizer. Moreover, there is a legend that the picture from it is sharper.

Sigma AF 17-50mm f/2.8 EX DC OS HSM– I never tire of repeating that this lens is one of the best universal lenses in terms of price/quality ratio. Of course, this is the case if you have taken a responsible approach to choosing a quality copy in the store. The lens is similar to the Tamron, but better in sharpness, speed and focusing accuracy, as well as in workmanship (more reliable design). If you've been shooting with a kit lens long enough, it might be time to look at something better. For example, this "Sigma".

Canon EF-S 17-55mm f/2.8 IS USM– for those who have had a Canon camera for several days, this lens is familiar. Mostly by rumor, because it is the most expensive universal zoom for Canon crop cameras. You can safely take it even for photographing an important event, such as a wedding. This lens is close in meaning to the Sigma 17-50mm, but not at all close in price. Overall, if you're someone who loves the best or is looking for a lens for commercial purposes, then check out the Canon 17-55mm. A lens is not bought for one day, but for several years. Usually with the prospect of switching to a more reportage camera. Like Canon 7D Mark II.

Canon EF-S 24mm f/2.8 STM– this is already a fix. A fairly new pancake lens. If it weren't for him, I would be talking about 40mm f/2.8. But for a crop camera, a 24mm lens is more convenient; its EGF on 700D or 650D cameras is about 38mm. That is, it gives approximately the same viewing angle on crop as 40mm f/2.8 on full frame. In general, 38mm is an excellent EDF that allows you to shoot landscapes, street photography and even portraits (if you try hard enough). A small drawback of the lens is that it is designed for crop cameras. It won't be possible to transfer it to FF. But if you don’t plan to switch to full frame in the near future, then there is nothing to worry about. This is a great lens in itself - sharp and small. It is in the latter that his advantage lies.

Canon EF 28mm f/1.8 USM– an excellent option for those who will still switch from crop to full frame. In addition, the lens has a large aperture (f/1.8) and a low price compared to the Sigma 35mm f/1.4 Art and Canon EF 35mm f/2 IS USM lenses, which could be recommended if not for their price. As for the differences between the 28mm lens and the pancake described above, firstly, the Canon EF 28mm f/1.8 USM is much larger, and secondly, instead of an STM motor, it has a USM motor, which will not allow you to fully use autofocus during video shooting.

Wide-angle lenses for Canon 650D, 700D

Wide-angle and ultra-wide-angle lenses are used for architectural, landscape and interior photography. Well, for everything else, whatever your imagination allows. As the name suggests, these lenses have a very wide viewing angle (and short focal lengths, respectively).

Tokina AT-X 116 Pro DX II– one of the best ultra-wide-angle crop lenses. I reviewed the first version. The difference between the first and second is more marketing than real. So, it is quite possible to purchase the first version. Including used versions, they are sold quite often - the lens is popular. For some reason, Tokina is constantly encrypted, and if it is not clear from the name, I will explain: this lens has focal lengths of 11-16mm, and its aperture is f/2.8 (which is not reflected in the name at all). This lens will soon be replaced by the Tokina 11-20mm, which has already been announced but is not yet on sale.

Tokina AT-X 128 f/4 PRO DX- a cheaper and more versatile analogue. The aperture is a little less, but the focal lengths are pleasantly larger. From 12 to 28 mm. Please note that both this and the previous lenses are suitable for the Canon 650D and 700D, but will no longer be suitable for full frame.

Sigma AF 8-16mm f/4.5-5.6 DC HSM– if you want quality, then look at Tokina. But if you need an extremely wide angle, then there is nothing cooler than this “Sigma”. Minimum focal length 8mm. And note - this is not a fisheye. This is still a proper ultra-wide. Naturally, this is a lens exclusively for crop cameras.

Canon EF-S 10-18mm f/4.5-5.6 IS STM– if you love native glass, then I hasten to please you. Canon has a relatively inexpensive ultra-wide-angle lens for crop cameras. It appeared quite recently; what it is is not yet entirely clear. There is also a Canon EF-S 10-22mm f/3.5-4.5 USM lens - as you can see, firstly, it is not STM, and secondly, it is more expensive. Its advantage is its aperture ratio. As for the picture, it does not outperform the new 10-18mm in terms of quality. That is, in theory, it is better to save money and take a closer look at the new version.

Lenses for portrait photography on Canon 700D and 650D

As you know, there are many bokeh lovers among beginners. Yes, yes, we are talking about blurring the background. Fast telephoto lenses can blur the background as much as possible. Which ones are better for taking portraits on Canon 650D and 700D cameras? Let's get a look.

Canon EF 85mm f/1.8 USM- The old guard, one of Canon's most popular portrait lenses. It is used by both amateur and professional photographers. The lens allows you to get good pictures. Of course, it is somewhat soapy at f/1.8, but Canon doesn’t offer anything better at this price.

Samyang 85mm f/1.4 AS IF is a manual lens from Samyang. In fact, it beats the native 85mm 1.8 in all respects: it is sharper, cheaper, and faster. It loses only one at a time - it does not have autofocus. If this doesn’t scare you, then you can consider purchasing the Samyang 85mm.

Essentially, this is the choice. Very modest. One could also mention Helios 40, which they began to produce again. But this glass is specific, you should buy it only after thinking 10 times. The Sigma 85mm f/1.4 lens is good, but its price is too high today for me to recommend it on a 700D level camera. Canon 135mm L is a gorgeous portrait lens at full frame, but too “narrow” at crop.

Telephoto lens for Canon 650D (700D) camera

Telephoto lenses allow you to capture distant objects. They are used for filming sporting events (football, auto racing), outdoor exhibitions (dog shows, etc.), air shows, and also for photo hunting.

Canon EF 70-200mm f/4L USM- the most popular lens. This is the L-series glass, one of the most affordable. This lens is white (a feature of Canon L telephotos). It is well suited for photographing the events described earlier. Perhaps for an exhibition like MAKS (International Aviation and Space Salon) something with a larger focal length is required. We will look at such lenses further below.

Canon EF-S 55-250mm f/4-5.6 IS STM– a budget version of the previous glass. Suitable for cropped cameras only. If you are unfamiliar with such focal lengths (television range) and do not know whether you need such a lens in principle or not, then you can quite pay attention to the 55-250mm. In addition to the price, it has at least two more advantages - the presence of an image stabilizer and an STM motor. If you don't need the latter or just want to save money, there is a cheaper version of this glass - Canon EF-S 55-250mm f/4.0-5.6 IS II.

Sigma AF 150-500mm f/5-6.3 APO DG OS HSM- one of the most affordable lenses with such focal lengths. Perfect for photographing very distant objects. For example, the same air show. It is also much better suited for photo hunting than previous models.

Canon EF 70-300mm f/4.0-5.6 IS USM– a good option if you want more quality than the 55-250mm offers. The lens copes with its tasks perfectly, and at 200-300mm it is quite possible to photograph wildlife.

conclusions

I tried to describe the most popular and worthy lenses that you can safely use on Canon 700D and 650D cameras. Also, all of them are suitable for earlier models in the series (600D, 550D, etc.), the only point is that older cameras do not support STM technology, and, accordingly, there will be no adequate autofocus in video with any lenses. Otherwise, the recommendations will be the same. Of course, it’s impossible to embrace the immensity - there are still many worthy glasses, they just didn’t have a place in today’s article. If you already use some lens on a Canon 650D or 700D camera, you like it, but it is not in the article - write your opinion in the comments, it will be useful to those who are puzzled by the search. If you have any other questions, you can also ask me or other site visitors in the discussion below. That’s all for today, make the right choice!

UPD. Which lens to choose for Canon 600D, 700D, 800D (video)

Articles

First, let's look at the focal length. Initially, each lens had a fixed focal length, which, in relation to the diagonal of the frame, determined its use.

Standard for small-format film cameras, and now for full-frame digital cameras, the focal length is considered to be 50 mm. The fact is that with such frame sizes, the viewing angle of a 50 mm lens is almost equal to the viewing angle of the human eye, that is, with such a lens the camera “sees” like the human eye. But in practice, you need many more options - for example, the class portrait lenses, having not only an increased (70-90 mm) focal length, but also an increased aperture ratio: such a lens emphasizes the composition of the frame on the center and focus, beautifully blurring the background, provides excellent detail and a low level of distortion.

What to do when you need to remove it from removal? I need it here already telephoto lens- an integral attribute of the camera of reporters and paparazzi, such lenses sometimes grow to monstrous sizes: for example, the rare Canon EF 1200mm f/5.6 L USM weighs 16.5 kilograms, and when shooting it must stand on a strong tripod. When photographing buildings, on the contrary, you need a short focal length (less than 35 mm), providing a field of view wide angle lenses. However, such a viewing angle also carries characteristic distortions - the edges of the frame “collapse” inward.

Development of wide-angle lenses - « fish eye", where the focal length is minimal (sometimes only a few millimeters), due to which the distortions characteristic of wide-angle optics reach the absolute level. The minimum shooting distance for fisheyes is often shorter than for macro optics, otherwise, at this angle of view, too much unnecessary stuff will get into the frame.

For macro photography Lenses are used that are similar in focal length to portrait lenses, but their key differences are the ability to focus at ultra-short distances and precision lens processing that ensures the least possible distortion.

But what to do if you want to shoot different shots, but don’t have the money for a set of optics? Well, zoom lenses invented a long time ago. The optical system in them is more complex, but it allows you to change the focal length, often within a wide range. The price to pay for versatility is loss in aperture, increased distortion, especially in extreme focus positions. However, a good zoom lens can always be found in a professional photographer’s bag.

There is another interesting point. At the beginning of the article, we mentioned that Canon optics, designed for a mount of full-format matrices, can also work on equipment with “cropped” matrices. And here the meaning of the crop factor indicated in the characteristics of cameras is revealed. For example, if we remove a normal lens from a full-length camera, then on a camera with APS-C (crop factor 1.6) its field of view will turn into... an 80 mm (50*1.6)! The normal one for this camera will be 30mm, which on the “older” camera will work as a wide-angle. Now do you understand why compact cameras with very small matrices have such short lenses? On interchangeable optics, the focal length is most often indicated specifically for the full frame, so for smaller matrices it must be recalculated when choosing your camera based on the crop factor.

If the focal length determines most of the applicability of the optics, then its aperture determines the quality and capabilities of shooting in low light. Aperture ratio is especially critical for inexpensive matrices, in which it is often necessary to set the photosensitivity to such values ​​that noise becomes clearly visible. The aperture is directly reflected in the smallest possible relative aperture opening, that is, optics with f/2.0 are faster than those with f/3.5. Moreover, it is characteristic that the shorter the focal length, the greater the aperture ratio - due to the larger viewing angle, the lens transmits more light in total. Therefore, you should not assume that the optics in a telephoto lens with f/5.0 are worse than in a wide-angle lens with f/1.8 - these are completely different lenses. But the requirements for the quality of the camera matrix if you want to work with teleoptics are, of course, higher.