Panasonic g6 color adjustment. Panasonic Lumix DMC-G6K: evolution cannot be stopped. ⇡ Technical characteristics declared by the manufacturer

Panasonic currently has four lines of digital cameras. The one designated by the G index and numbers is positioned as a solution for enthusiasts who are willing to spend a reasonable amount on their hobby and get a camera with a sufficient set of functions. The G series is the golden mean between the top-end GH and the simple and compact GX and GF.

Design and Construction

The G series is the embodiment of the “digital classic” style. The case is black with a plastic finish and leather-like textured rubberized inserts. The build quality and materials correspond to the price category. Compared to the previous model, the design has become more “rounded”; metal-look elements have been replaced by black ones.

The device fits perfectly in the hand thanks to the protrusion on the front panel. Whether electronic components are located there or is this just a solution to improve ergonomic characteristics is unclear from the outside, at least the battery is located parallel to the body.

Without a lens (with battery and memory card), the camera weighs approximately 500 g, the 12-42 f/3.5-5.6 lens weighs another 100 g. However, due to its impressive dimensions, the weight is “concealed” and the camera seems lighter than it is In fact.

The layout of the controls has remained almost unchanged compared to the previous model. The flash raise button has moved to the rear panel from the top; another hardware button with assignable functionality has appeared; by default it turns on Wi-Fi. There are now five such hardware buttons, and there are two more active areas on the screen.

The electronic viewfinder uses an OLED module with 1.44 million image elements, which gives an image of 800x600 pixels. The optical design has a diopter corrector. A proximity sensor is used to automatically switch between the viewfinder and the screen; in manual mode, the selection is made using a hardware button located to the left of the viewfinder.

The display on the rear panel is rotatable, with two degrees of freedom - manufacturers who use other options simply create inconvenience for their potential customers, from minor to significant.

The three-inch screen is made using OLED technology and contains 1.04 million image elements. The aspect ratio is 3:2, which is a compromise: black bars on the sides appear in both photography and video.

On the front panel, under the plug, there is a jack for connecting an external stereo microphone; the recording level is set automatically or manually (19 values), through the menu.

Functionality

The menu in the Panasonic G6 is simple and logical. It is drawn without graphic frills, everything works quickly.

The abundance of hardware buttons allows you to quickly change shooting parameters; for those who are especially keen, there are two slots for storing sets of user settings; they are switched by the mode dial on the top panel of the case.

Although there are many members in the Micro 4/3 alliance, only two cameras are made by Panasonic and Olympus. The lenses are mechanically and electrically compatible, automatic focusing works, only the image stabilization systems differ. Since Panasonic uses in-lens and Olympus uses in-camera, this aspect is definitely something to consider when choosing optics. There is no unity among “third-party” lens manufacturers either.

Focusing speed and confidence meet the requirements for equipment of this class. Panasonic G6 uses contrast method. A point can be selected by simply touching the screen. Depending on the settings, the exposure will also be set and the photo will be taken.

Manual focusing is convenient: you can zoom in on a fragment of the image through the menu; it can be moved if the camera is mounted on a tripod. At 10x magnification, even small details are visible.

The device is equipped with a function for highlighting contrasting areas - focusing confirmation for manual mode. The sensitivity is low: a truly contrasting border is required; The backlight color is white, and you cannot choose another one.

The Panasonic G6 has several high-speed shooting modes.

The maximum rate is 40 fps, but to enable it, you must first manually turn off RAW recording in another section of the menu. In this case, the image size is 2336x1752 pixels. Naturally, the focus is locked, and the first frame remains in the viewfinder or on the screen. During playback, the camera can show the sequence as a mini-movie.

At 7 fps, the size increases to standard and autofocus works. At 4 fps, Live View is activated and the camera continues focusing during shooting, if required.

The minimum shutter speed is 1/4000, but in video recording mode this figure can reach 1/6000.

Panasonic G6 records Full HD video at a frequency of up to 60 fps with progressive scan (the matrix provides information in this mode). The flow rate reaches 28 Mbit/s.

When shooting video, priority exposure metering modes work, which allows you to control the depth of field or the nature of motion transfer.

The Panasonic G6 is powered by a 7.2V lithium-ion battery with a capacity of 1200mAh. A full charge, according to the manufacturer, is enough for 350 frames. During camera testing, this figure was found to be generally true, at least for a manual zoom lens.

Image quality

The 18-megapixel sensor produces a good 16-megapixel image. Even the out-of-the-box lens (35mm camera equivalent 28-84, f/3.5-5.6) provides reasonable sharpness, and the Micro 4/3 system collectively offers perhaps the best selection of optics among mirrorless cameras.

In a test still life, which was illuminated by two incandescent lamps, both in automatic mode and with the appropriate preset, the Panasonic G6 conveyed a natural white balance - the viewer in the studio perceives it as warm.

JPEG from camera. More frames, JPEG and RAW, can be downloaded for self-study at this link.

Naturally, adjusting to a sample or entering a lower color temperature will allow you to achieve a neutrality that is not really there. This approach may not appeal to everyone, but Panasonic is just being honest.

When filming outdoors, there were also no complaints about color reproduction.

ISO 25600 is almost impossible to use: details disappear into noise even in RAW. 6400 is the maximum, above which you should not go, naturally, we are not talking about JPEG, there is a limit of 3200 in normal lighting. Shooting at dusk complicates the camera's task and, to avoid unnecessary artifacts, it is better to stop at ISO 1600.

Increasing your ISO isn't the only way to keep your shutter speed fast or your aperture closed. RAW files allow you to extract a sufficient amount of useful information with deliberate underexposure. The Panasonic G6 allows -3 EV with a noticeable drop in dynamic range and loss of shadow detail. Minus two steps is a completely acceptable recipe, when the effect of such an approach is still noticeable and justified, and artifacts do not yet spoil the picture too much.

The camera doesn't like overexposure. One step does not cause problems, but two are already detrimental to color rendition. Yellow colors are the ones that suffer the most. Fortunately, the exposure metering system works accurately, so the only way this situation can occur is through photographer error.

For JPEG, the Panasonic G6 has two “enhancers”: Intelligent Resolution and Intelligent D-Range. They do not affect RAW files.

As the name suggests, Intelligent Resolution is supposed to intelligently increase the resolution of a photo. Tests show that when processing in-camera, the algorithms demonstrate a truly intelligent approach.

The fragments below (this is 100%) were filmed with Intelligent Resolution disabled (on the left) and set to maximum (to make the result more noticeable, four options differing in impact are available through the menu). Note the significant increase in sharpness at contrasting edges and the virtual absence of artifacts in the background.

The result of Intelligent D-Range is also noticeable, but the effect of expanding the dynamic range itself is not suitable for all scenes and is more of a “taste” than a technical one.

Panasonic G6 can do in-camera Time Lapse. No processing on a computer is required - the device creates a video from a sequence of frames. Through the menu, the interval and start time of shooting, as well as the number of frames, are set. There is no provision for changing the interval during operation, i.e. the acceleration of time will be linear. The device shows when the process is finished, but for beginners it is better to use calculator programs to calculate the optimal parameters.

Another interesting feature (albeit less popular) is the creation of frame-by-frame animation. Once again, the video is generated in the camera and filmed at a specified interval or manually. The previous frame remains translucent on the screen for precise positioning of animated objects.

WiFi

The ability to connect with other devices via a wireless network today does not surprise anyone. However, Panasonic has implemented wireless control of the device via Image App better than others.

The Panasonic G6 uses the IEEE 802.11b/g/n, 2.4 GHz standard, the device supports WPA/WPA2 algorithms and can create its own Wi-Fi network. The camera is also equipped with an NFC chip.

In addition to the ability to see what fits into the future frame and press the on-screen Shutter button, almost complete control of the parameters is available from a tablet or smartphone.

White balance, sensitivity, exposure compensation, timer and drive modes change, zoom works with motorized lenses, and remote manual focusing works with those that have this capability.

By touching the desired point in the image on the smartphone/tablet screen, focusing and measuring exposure parameters are performed. Depending on the application settings, the photo is taken immediately after focusing or only the camera is adjusted.

Through the menu, the frame size and format, aspect ratio, flash mode, video shooting parameters, in-camera JPEG processing style, etc. are set.

The picture sometimes slows down, so the developers still have some room for action. You can complain about the primitiveness of the application’s graphics, but in terms of functionality it is the leader as of the summer of 2013.

To download footage from the camera’s memory card to your tablet/smartphone, just go to another tab of the Image App. If full resolution is not required, you can select a medium or small size through the menu.

Although Panasonic has its own VIERA HDTV infrastructure for viewing local network content on large screens, the camera works with all DLNA-compatible devices.

Liked
+ Excellent design, convenient control.
+ Time Lapse and frame-by-frame animation in the camera.
+ System with the best choice of optics in the mirrorless segment.

Did not like
— ISO 3200 is the upper limit for JPEG.
— Entering exposure compensation when using lenses with a motorized zoom is inconvenient.

Verdict

There are improvements compared to the previous version, but they are minimal: one EV level in sensitivity, 7 fps instead of 6, more image elements on the display, etc. Even changing the module in the electronic viewfinder does not look revolutionary. G5 owners can rest easy.

It makes sense to switch to the Panasonic G6 either from very old cameras, or if the GX or GF series do not satisfy the functionality. Switching from Olympus makes sense if additional optics without an optical stabilizer were not purchased and the presence of an electronic viewfinder is a serious requirement for the camera.

Product for testing provided by Panasonic, panasonic.ua.

	Panasonic Lumix DMC-G6X Kit (14-42mm) Black Notify when on sale
Camera category	Compact with interchangeable lens
Type	CMOS
Size	4/3″ (17.3x13mm)
Number of megapixels	16,1
Maximum frame size	4608×3456
Interchangeable lens	+ (Micro 4/3)
Focal length, 35mm equivalent	depends on the lens
Maximum aperture	depends on the lens
Optical zoom	depends on the lens
Minimum focusing distance, m (normal mode)	depends on the lens
Minimum focusing distance, m (macro mode)	depends on the lens
ISO sensitivity	auto, 160-25600
Shutter speed range, sec	30-1/4000
Modes: Shutter/Aperture Priority/Manual	+/+/+
Manual focus	depends on the lens
Digital zoom	+
White balance	auto, 6 presets, manual
Continuous shooting, frames/sec.	no data
Exposure compensation, EV	+/-5, 1/3 (1/2)
Exposure metering	matrix, spot, center-weighted
Built-in flash modes	auto, forced fire, slow sync, flash off, red-eye reduction
File types	JPEG, RAW
Max. frame size; frames/sec. (fps)	1920×1080 (60fps)
Video format	MPEG-4, H.264
Viewfinder	electronic
Live View (for DSLRs)	+
LCD screen (diagonal in inches; number of pixels)	3″, 1040000
Rotating screen	+
Image stabilization system	optical
External flash socket	+
Built-in microphone	+
Memory cards	SD (SDHC, SDXC)
Built-in memory, MB	—
Interface	USB 2.0, Mini HDMI, Wi-Fi
Nutrition	Li-Ion battery
Charger	+
Dimensions (W × H × D)	122x85x71
Weight	390
Additionally	Wi-Fi, NFC

The LUMIX G6 is the next generation of digital mirrorless cameras with incredible portability for even higher-quality photos and videos.

April 24, 2013: Panasonic is proud to announce the release of the new DMC-G6 digital mirrorless camera, which allows you to create high-quality photos and videos. The digital Live MOS sensor provides high-resolution image recording at high sensitivity. The new Venus Engine processor has an advanced noise reduction system and is capable of high-performance signal processing. Combined with the sensor's high performance, it minimizes noise and even allows shooting at a maximum of ISO 25600 (expanded).

DMC-G6 boasts fast response and high continuous shooting speed up to 7 frames per second at full resolution. The camera is ready to shoot in just 0.5 seconds. after launch, that is, with it you will not miss the opportunity to capture fleeting scenes. Especially considering the high speed and accuracy of Light Speed ​​AF. The new AF illuminator ensures precise focusing on the subject, even in low-light conditions.

The DMC-G6 also offers high-quality Full HD video recording at 1920x1080, 60p (60Hz) / 50p (50Hz); AVCHD Progressive and MP4 format with stereo sound. Autofocus tracking is also available during video shooting. Cinematic 24 fps video recording at 24 Mbps bitrate produces exceptional images. During video shooting, exposure control is available in P / A / S / M modes.

WITH technology Wi-Fi and NFC (Near Field Communication) allow users to connect the camera to a smartphone or tablet anywhere with one touch. This makes transferring images as easy as possible. You can also use a compatible mobile device to release the shutter remotely. With the Instant Transfer function, photos are automatically sent to your smartphone/tablet immediately after shooting. On the other hand, both photos and videos can be archived on registered digital equipment such as a PC via wireless access points (router) at home.

The DMC-G6 is not only an interchangeable lens camera, but also an advanced digital photography instrument packed with attractive features to achieve even more attractive results within the camera. It includes Features: Creative Panorama, Time Lapse, Stop Motion Animation and Clear Retouch in addition to popular creative modes. There are a total of 19 exciting artistic effects. Stop Motion Animation allows you to produce unique stop-motion videos, and with Clear Retouch, you can remove unwanted parts of the image after shooting. Both operations are easily carried out in the chamber.

New, bright OLED (Organic Light-Emitting Diode) viewfinder LV (Live View Finder) with a resolution of 1440 thousand dots boasts excellent color reproduction and high contrast. The advanced large 3-inch tilt-and-tilt monitor with touch technology can fold inward.

It is known that the DMC-G6 camera will come in 3 stylish colors: black, white and silver. It offers you the ability to create high-quality photos and videos that are easy to share.

(module Yandex direct (7))

16.05MP Live MOS digital sensor and new Venus Engine image processor

The DMC-G6 combines a 16.05-megapixel sensor Live MOS, which boasts high resolution and high sensitivity image recording with minimal noise. Panasonic has updated existing technologies exclusively for the digital Live MOS sensor to minimize noise and maximize benefits. Photodiodes have a high aperture ratio, which results in high resolution and excellent signal-to-noise ratio.

Also recently developed CPU Venus Engine is designed to demonstrate its advanced noise reduction capabilities. Increased control over noise levels in specific areas, making it possible to remove large blocks of noise that were technically difficult to detect. This helps produce clear, smooth images, which is especially useful for night landscapes. In addition, Multi-process NR (Noise Reduction) works in two separate stages, allowing for even more careful control of noise. Regardless of the size of the noise, image texture is improved and results in the reproduction of smooth human skin even when recording at high sensitivity.

Every part of the image, from dark to bright, is accurately reproduced, with shadow suppression suppressed thanks to the advanced Intelligent D-range Control. Thus, the DMC-G6 offers a wider dynamic range.

The digital Live MOS sensor and Venus Engine work together to achieve ISO 3200 (Auto) and a maximum of ISO 25600 (expanded). Low Light AF in the DMC-G6 demonstrates better performance in shooting conditions such as moonlight even without an AF assist lamp to accurately focus on the subject.

Fast response speed with Advanced AF for fleeting photos

For all LUMIX G cameras, the manufacturer has provided contrast autofocus as a focusing system. Compared with phase difference AF, it is more accurate, especially when shooting with a bright lens at a small aperture (F).
The DMC-G6 features a high-speed Light Speed ​​AF system that allows you to capture even fast-moving subjects clearly. This system camera surpasses high-end DSLRs with phase detection autofocus not only in accuracy but also in speed.

The camera and lens exchange digital signals at a maximum speed of 240 frames per second to minimize focusing time. The DMC-G6 boasts a high continuous shooting speed of 7 fps at full 16.05 megapixel resolution and max. 40fps when using electronic shutter. In addition, autofocus tracking allows you to shoot sequentially and keep a moving subject in focus while shooting at 5 frames per second.

Thanks to Full-area Touch AF, you can set focus to any point in the field of view. That is, quickly and intuitively focus and compose the shot via the touch screen. In addition, the newly introduced Touch AE (Auto Exposure) feature allows you to adjust focus and exposure with one touch of the subject on the monitor. For additional control over focusing, the DMC-G6 includes Focus Peaking.

DMC-G6 includes high response speed. It is ready to shoot in about 0.5 seconds. after launch. The DMC-G6 has conveniently located controls. The function lever allows you to directly adjust the selected functions - zoom, exposure or aperture.
The camera's compatibility with high-speed UHS-I, SDXC / SDHC memory cards allows for faster data recording even when shooting in RAW file format.

Excellent video recording performance inherited from the flagship LUMIX G series

All LUMIX G cameras, especially the DMC-GH3, are renowned for their outstanding capabilities in high-quality video recording. The DMC-G6 records stunningly smooth, high-definition Full-HD video at 1920 x 1080 60p (60 Hz) / 50p (50 Hz) in AVCHD Progressive (MPEG-4 / H.264).
The camera also supports 1080/24p in native mode with 24Mbps in AVCHD format, resulting in brilliant afterimages. In addition, P/A/S/M modes allow you to enjoy expressive professional video recording.
Full-HD 1920 x 1080 60p (60 Hz) / 50p (50 Hz) video can be recorded in MP4 format at 28 Mbps for playback directly on a PC or other portable electronic devices without the need for file conversion.

In addition to continuous autofocus, touch autofocus is available during video shooting. You simply point at an object and the focus shifts to it. Tracking autofocus keeps your focus on even a moving subject.

High quality sound with Dolby Digital can be recorded. And to block out most of the noise from background wind, a wind noise reduction function is available. In addition to the built-in stereo microphone, the DMC-G6 is equipped with a 3.5mm jack for connecting an external microphone.
An optional Extra Tele Conversion feature extends the zoom range (max. 4.8x) without sacrificing image quality at lower resolutions.

Using Time Lapse Shot automatically starts taking photos at a specified time interval according to the number of shots you set. The Stop Motion Animation function stops the motion of an animation (freeze frame), allowing you to create a video with an effect that makes it seem as if the object is moving on its own.

Easy wireless connection to smartphones via Wi-Fi/NFC

The DMC-G6 camera combines Wi-Fi Connectivity (IEEE 802.11 B/G/N) with NFC (Near Field Communication) technology. This gives you more flexibility for instant image sharing and easy management. Flexible shooting, viewing and sharing of images is made possible with the DMC-G6 and the dedicated Panasonic Image App for IOS/Android smartphones/tablets.

Users can connect the camera to a smartphone/tablet by simply holding them together. The innovation is that the connection is very simple and is carried out within a few seconds, skipping the procedure of entering authorization information.

Remote photo and video shooting can be done using a smartphone/tablet to release the shutter remotely. In addition, zoom, focus, shutter speed, aperture and exposure compensation are also adjustable using a smartphone/tablet.

Instant data transfer function (Instant Transfer) allows the camera to automatically send files to a specified electronic device when the shutter is released. In playback mode, users can tap the image in the camera to transfer it directly to their smartphone/tablet on the spot. In addition, it is possible to add location information to the image using the GPS (Global Positioning System) log of the smartphone/tablet.

It became even easier archive Images. DMC-G6 transfers data to a computer or other compatible electronic devices automatically via a wireless access point (router) in the home. In addition, with Panasonic's exclusive Lumix CLUB cloud service, the DMC-GF6 can automatically sync images over the Internet, such as Facebook, Flickr, Picasa, Twitter and YouTube.
Wi-Fi Direct function allows you to playback images on DLNA (Digital Living Network Alliance)-compatible VIERA HD TVs.

New OLED viewfinder with 1440k dots

The large, bright OLED (Organic Light-Emitting Diode) LVF (Live View Finder) viewfinder has a resolution of 1440 thousand dots. It boasts 100% frame coverage in a 4:3 aspect ratio, excellent color reproduction and an amazingly high contrast ratio of 10,000:1. The display time delay is dramatically minimized compared to its predecessor DMC-G5. The image output between the LVF and the rear monitor is switched automatically thanks to the eye sensor on the LVF. Its sensitivity can be selected from high, low and off to reduce false alarms when touching the rear monitor.

3" swivel touch monitor

The new large 3-inch 1036K-dot high-resolution monitor swivels 180° sideways and tilts 270° up/down for 100% field-of-view coverage. It effectively suppresses the reflection of external light. With a 13% increase in resolution, color reproduction is also improved by approximately 20%, so the DMC-G6 monitor offers greater visibility than ever before. In addition, engineers have achieved a wide viewing angle with this screen, and it now saves energy by 25%.

The free angle of the monitor and the touch screen allow for comfortable viewing in any physical position. The touch screen is useful not only for shooting, but also for playing back images with excellent visibility. The Touch Pad allows you to use both the viewfinder and screen simultaneously for greater control and more intuitive shooting.

Creative Control / Creative Panorama functions

The popular Creative Control mode has been modernized. Now the number of filters included in it has been increased from 14 (for DMC-G5) to 19 (for DMC-G6). New filters include: Old Days, Sunshine, Bleach Bypass, Toy Pop, Fantasy. The following have become familiar: expressive, retro, high key, sepia, high dynamism, soft focus, dynamic monochrome, impressive artistic, color spot, cross process, low key, toy effect, Star filter and miniature effect. The parameters for each effect are also adjusted.
With the new Creative Panorama function, you can take horizontal/vertical panoramic images and then combine them into one photo by overlaying the previous image.

Clear Retouch function

The Clear Retouch feature allows you to remove unwanted objects or elements from an image. To do this, just point your finger on the monitor. They disappear naturally, without destroying the composition of the photo.

Advanced Intelligent Auto Mode (A+) and Scene Guide for Beginners

For budding photographers, there's a range of features and intelligent auto modes to help you take beautiful photos. These include: AF Tracking, Intelligent D-range Control, Intelligent Scene Selector, Face Detection and Intelligent ISO Sensitivity Control.

Intelligent Scene Selector currently offers a Food Recognition mode. He discovers food on a platter and grabs it to make it look perfect. iA Plus mode allows you to adjust the out-of-focus area in the background, compensate exposure and white balance for more flexible control.

Scene Guide offers 23 sample images taken by professional photographers. Users can select the one that best suits the shooting situation so that the camera automatically adjusts to the optimal settings. In addition, technical advice and recommendations regarding the desired use of an interchangeable lens for a particular scene can be obtained.

Compact and easy-to-use design plus a variety of colors

The DMC-G6 system camera has a compact format, easy-to-use design and a useful built-in flash (GN 10 ISO160m / GN 8 ISO100m). It goes against the stereotype of conventional bulky, heavy DSLRs. This camera is planned to be supplied in black, white and silver colors, that is, in accordance with user preferences.

(module Yandex direct (9))

Key Features of Panasonic Lumix DMC-G6

Camera type	mirrorless
Maximum sensor resolution	4608 x 3456
Other resolution	4608 x 3456, 3264 x 2448, 2336 x 1752, 4608 x 3072, 3264 x 2176, 2336 x 1560, 4608 x 2592, 3264 x 1840, 1920 x 1080, 3456 x 3456, 2448 x 2448, 1744 x 1744, 1712 x 1712
Image Aspect Ratio	1:1, 4:3, 3:2, 16:9
Number of effective megapixels	16.1 MP
Matrix size	Four Thirds (17.3 x 13 mm)
Sensor type	CMOS
Color space	sRGB, Adobe RGB
Array of color filters	primary color filter
ISO	Auto, 160, 200, 400, 800, 1600, 3200, 6400, 12800, 25600
White balance presets	5
Custom White Balance	There is
Uncompressed format	RAW
File Format	RAW+Fine RAW+Standard JPEG Fine JPEG Standard MPO+Fine MPO+Standard
Autofocus	contrasting multi-zone tracking one point at a time continuous with face recognition Touch Leve View
Digital zoom	yes (2x, 4x)
Manual focus	There is
Number of focus points	23
Screen	3" Pan-tilt LCD Monitor
Screen resolution	1,036,000 points
Touch screen	Yes
Screen type	TFT Color LCD with wide viewing angle
Live View	Yes
Viewfinder	electronic with 100% frame coverage
Viewfinder resolution	1,440,000 points
Minimum shutter speed	60 sec
Maximum shutter speed	1/4000 sec
Exposure Modes	program aperture priority shutter priority manual
Story modes	clear portrait silky skin soft lighting calm tone clear backlight cute baby face clear picture bright blue sky romantic sunset blazing sunset glare on the water clear night view cold night sky warm glow artistic night landscape brilliant glow clear night portrait soft flower image delicious food cute dessert animal in motion sport monochrome
Built-in flash	yes (pop-up)
Flash range	10.5 m
Connecting an additional flash	possible (via hot shoe)
Flash modes	Auto, on, off, red-eye reduction, slow sync
Self-timer	yes (2 or 10 sec)
Metering Modes	multi-zone center-weighted spot
Exposure compensation	±5 (1/3EV steps)
Exposure bracketing	±3 (3, 5, 7 frames in steps of 1/3 EV, 2/3 EV, 1 EV)
White balance bracketing	There is
Video format	MPEG-4 AVCHD
Microphone	stereo
Speaker	mono
Video resolution	1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720 (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps)
Memory card compatibility	SD/SDHC/SDXC
USB	USB 2.0 (480 Mbps)
HDMI	yes (mini connector)
Wireless connection	built-in
Nutrition	Li-ion battery plus charger
Battery life (CIPA)	340 shots per charge
weather seal	not provided
Weight	390 g (including battery)
Dimensions	122mm x 85mm x 71mm
Orientation sensor	not provided
GPS	No

Panasonic is proud to introduce the DMC-G6 digital mirrorless camera, the latest addition to the LUMIX G family of stylish and compact cameras.

The new 16-megapixel Live MOS sensor allows for excellent image quality, and the Venus Engine combines high-speed signal processing with an effective noise reduction system. Of course, the DMC-G6 offers video recording in 1920 x 1080 resolution at 60p / 50p. And with Wi-Fi and NFC support, you can connect the camera to your smartphone or tablet with just one touch, using the screen to control the camera. The new OLED Live View viewfinder with a resolution of 1,440,000 dots features excellent color reproduction and the highest contrast ratio (10,000:1), and a 3? based on In-Cell Touch technology, which allows for excellent viewing angles.

Live MOS sensor and Venus Engine image processor

The DMC-G6 camera is equipped with a Live MOS sensor with a resolution of 16 megapixels, which makes it possible to achieve the highest resolution and high light sensitivity (ISO 3200 and max. ISO 25600), with minimal noise. And the updated Venus Engine image processor offers new noise reduction technology that effectively removes large areas of noise, resulting in excellent image quality when shooting at night. Moreover, through the use of a new filtering algorithm, it was possible to increase the contrast of light areas of the image by 5%.

High response speed and fast autofocus system

All cameras in the LUMIX G family are equipped with a contrast autofocus system. Compared to phase detection autofocus, contrast detection autofocus provides greater accuracy, especially when using fast lenses. In addition, the touch screen greatly simplifies the selection of the focus point - you just need to touch any object in the frame, and the camera will instantly focus on it.

Highest video quality

All cameras in the LUMIX G family, especially the DMC-GH3, are widely known for their excellent video capabilities. The DMC-G6 also supports video recording, allowing you to shoot in 1920x1080 60p / 50p resolution and AVCHD Progressive (MPEG-4 / H.264) format. In addition, the camera body has a 3.5 mm jack for connecting an external microphone.

Wireless connection via Wi-Fi and NFC

The DMC-G6 camera is equipped with Wi-Fi and NFC modules, which allow for new possibilities for taking and publishing photos or videos - to connect the camera to a smartphone or tablet, you just need to place them next to each other. Using a smartphone or tablet, you can take not only photos, but also videos, and also have full control over the shutter button, zoom, focus, shutter speed, aperture and exposure compensation.

Switching from the display to the viewfinder is possible in two ways - automatically, using a sensor that reacts when a face approaches the viewfinder; using the dedicated Fn5 button, which is responsible for manual switching. The OLED viewfinder matrix consists of 1.44 million dots and feels noticeably inferior to higher resolution matrices. The viewfinder in the Sony NEX-6, for example, produces a much more realistic picture. The Lumix G6 lacks color reproduction and contrast.

You can set the focus point across the entire field of the screen or viewfinder. However, when using the viewfinder, you cannot select the focus point using the touch screen. Firstly, the display turns off completely, and secondly, it would be simply inconvenient. In the camera settings, you can only allow the joystick to be used for these purposes. In this case, additional functions of the joystick buttons are blocked. The same thing, by the way, is offered by SLR cameras.

The display and viewfinder are extremely informative, and the information does not clutter the work area and does not distract from the process of sighting the shooting.

The menu is made in yellow and gray colors, however, the background color can be customized at your discretion. There are a lot of camera settings - there are 35 options for the photography mode alone. In this indicator, the Lumix G6 is practically not inferior to entry-level DSLRs. The younger Panasonic Lumix GF6 has fewer available settings.

The menu is organized conveniently, most of the settings are immediately clear even in Russified form. All settings are divided into 5 sections - photo recording settings, video recording settings, user settings, general camera settings and playback settings. In addition to a set of five programmable keys, there are also two virtual buttons displayed on the screen. One of them displays the electronic horizon by default, and the other is responsible for locking autofocus and autoexposure.

Functionality

Panasonic Lumix G6 adopted the sensor from its predecessor without changes. The 16-megapixel Micro Four Thirds CMOS sensor still has a lower limit of sensitivity adjustment at ISO 160. The upper limit has been increased by one step and is now 25,600 units.

There is no need to expect changes in image quality, and the upper ISO limit is in any case of little use for shooting. The lower limit of ISO 160, which has remained unchanged, is puzzling. When using high-aperture optics in bright sunlight, even with a minimum shutter speed of 1/4000 s, the problem of overexposure will be quite acute.

The main innovation of the camera is the latest generation Venus Engine FHD processor with an improved noise reduction system. The chip is also more energy efficient and allows for a continuous shooting rate of 7 frames per second - versus 6 for the Lumix G5. This frequency is achieved when autofocus is fixed on the first frame.

The focusing method remains unchanged for Panasonic cameras and is based on contrast discrimination. Objectively, there is no pressing need to change anything. Focusing is brilliant even in low light conditions. According to the manufacturer, focusing is possible in illumination down to -3 EV. Competitors may envy such focusing speed. The Panasonic Lumix G5 coped with the task of focusing at least 0 EV. The new focusing system includes 1,728 metering points. This is an absolute record. The system even got its own name - Low Light AF. However, in reality, for confident focusing it is better to use the built-in backlight.

Focusing with increased accuracy is also available. This mode is most relevant for macro photography and allows you to set the focus point, for example, on a separate flower petal. There is also a focus peaking function, but its implementation is far from ideal. Focus areas are illuminated with flickering dots that are barely visible in bright daylight. The implementation of this function in Sony NEX cameras is much better.

The camera turns on in a second, no more. After turning on the display, the device is immediately ready to take the first shot, both when using the screen and the viewfinder. It takes approximately 2 seconds for the camera to turn off.

The next stage in the development of the popular series of mirrorless cameras with built-in wireless modules and a number of software improvements and innovations

The next stage in the development of the popular series of mirrorless cameras with built-in wireless modules and a number of software improvements and innovations.

Equipment

The standard package includes a Lumix G 14-42mm f/3.5-5.6 lens with lens hood, battery, charger, cable for connecting to a computer, as well as a neck strap, instruction manual and a pair of software discs.

Design

The appearance of the camera has not changed much compared to its predecessor. It weighs exactly the same, but its dimensions have increased by some millimeters.

The mirrorless camera is made of matte plastic with rubberized textured inserts on the side and front panels, handle, and back.

On the front side on the left, between the lens lock button and the series logo, a slot for connecting a microphone has appeared, which is hidden behind a plug.

The top edge has a flip-up flash that wraps around the hot shoe and stereo microphone arrays.

To the left of it is a miniature speaker, and to the right is a mode selection wheel with a power slider and a set of function keys.

On the back side there is still a digital viewfinder with a proximity sensor and a diopter adjuster, a rotating touch screen and most of the function keys.

Most of the wired interfaces, namely miniHDMI, A/V – PC connectors and a slot for connecting a remote control, are hidden behind a plastic cover on the right side of the device.

On the opposite side there is an NFC contact area, which is indicated by a miniature icon.

The tripod thread, as well as the battery compartment and memory card slot are located on the bottom side.

The DMC-G6K is available in black and silver.

Ergonomics

The device is large enough to ensure maximum convenience during use. The handle is large enough to be operated without any problems using only your right hand.

The thumb insert on the back provides additional support while shooting.

All the most popular keys are within reach of the thumb and index finger of the right hand. It's easy to get used to their location. Therefore, after 15 minutes of use, the user will switch modes and change the shutter speed “fully automatically” without thinking.

The rotating screen, which opens 180˚ and rotates 270˚, allows you to take photos in almost any position. Don't want to bend over? Rotate the screen up. Need to film some action, but a crowd of people is getting in the way? Raise the camera by first turning the screen down. Creating a self-portrait for social networks is also not difficult.

A fast and fairly accurate proximity sensor will not force you to manually switch from the display to the viewfinder.

Menu and controls

The menu, as well as the function buttons, have received minimal changes compared to .

The flash release button has moved from the top edge to the back. It can be found to the left of the viewfinder, near the LiveView mode key.

And under the five-way joystick there is a button for switching to Wi-Fi functions.

In addition, 5 hardware buttons and a pair of touch keys labeled Fn can be assigned actions for quick access to certain settings.

Functionality

It uses a 16 MP Live MOS sensor in Micro Four Thirds format (17.3 x 13 mm) with a Venus Engine 7 FHD processor. The latter provides high operating speed and fast image processing, minimal shutter lag, and almost instantaneous start-up.

With continuous shooting, you can take 7 pictures at maximum resolution and up to 40 at reduced resolution and with the electronic shutter.

The camera takes photos in RAW and JPEG formats.

The “whale” lens here is exactly the same as in its predecessor - Lumix G Vario 14-42mm f/3.5-5.6 with built-in optical stabilizer.

The camera also has scene modes with a large number of filters and scenes that will definitely appeal to novice photographers.

In addition, the G6 received all sorts of software bells and whistles. In addition to panoramic shooting, it can do frame-by-frame animation, supports multiple exposure and time-lapse photography, has intelligent dynamic range expansion, shadow compensation and color profile settings.

Examples of photos:

The camera records high-quality Full HD video at 50 frames per second in MP4 and AVCHD formats.

Example video:

On the 3-inch touch screen with a resolution of 1,036,000 pixels, photos look simply gorgeous. The matrix also has good sensitivity and accuracy, so you won't have any problems choosing settings and controlling the camera.

The OLED viewfinder has a resolution of 1,400,000. It completely duplicates the main screen, so you can look at the applied filter or change settings without switching to Live View mode.

Wireless capabilities

In the Lumix G6K, the NFC module is only needed for quick pairing with your Android smartphone with the pre-installed Panasonic Image App. iPhone users will have to connect to the camera as usual - find the desired network in the Wi-Fi settings, connect and enter the password.

Wi-Fi connection is used to control the camera remotely. You can focus and shoot, as well as change settings and view photos directly from the screen of your smartphone. In this mode, you can add geotags by sending data from your smartphone.

Working hours

The 1200 mAh Li-ion battery will be more than enough to take 450 shots.

Impression

Panasonic Lumix G6K is a high-quality update of the popular series of mirrorless cameras with new features and wireless capabilities. With its help, you can create high-quality photos and videos with a large number of filters and effects.

PECULIARITIES:

Compact body

Ergonomics

Touch rotating screen

Picture quality

Optical stabilization

Operating speed

Smart mode

WiFi

SPECIFICATIONS:

• Model Panasonic Lumix DMC-G6K
• Weight 560 g with lens and battery
• Dimensions 12.25 x 8.46 x 7.14 cm
• Matrix Micro Four Thirds, 17.3 x 13 mm, Live MOS, 16.05 MP
• Maximum image resolution 4608 x 3456 pixels
• Video resolution 1080/50p
• Lens f = 14 – 42 mm (28-84 mm equivalent to 35 mm camera), F3.5-F5.6, LUMIX G Micro System mount
• Zoom optical - 3x, digital - 4x
• Image format RAW, JPEG, MPO (when using 3D lens)
• Video format AVCHD/MP4
• Display TFT, 3" (1,036,000 pixels)
• Viewfinder OLED, 1,400,000 dots
• Image Stabilizer optical, MEGA O.I.S.
• Card memory SD, SDHC, SDXC
• Interfaces USB 2.0, miniHDMI, A/V, MIC, remote, Wi-Fi 802.11b/g/n, NFC
• Nutrition Li-Ion 1200 mAh